Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics
Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Examining film culture's ongoing fascination with the low, bad, and sleazy faces of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Examining film culture's ongoing fascination with the low, bad, and sleazy faces of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They explore the ineffable quality of "sleaze" in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.Writing about horror, exploitation, and sexploitation films, the contributors delve into topics ranging from the place of the "Aztec horror film" in debates about Mexican national identity to a cycle of 1960s films exploring homosexual desire in the military. One contributor charts the distribution saga of Mario Bava's 1972 film Lisa and the Devil through the highs and lows of art cinema, fringe television, grindhouse circuits, and connoisseur DVD markets. Another offers a new perspective on the work of Doris Wishman, the New York housewife turned sexploitation director of the 1960s who has become a cult figure in bad-cinema circles over the past decade. Other contributors analyze the relation between image and sound in sexploitation films and Italian horror movies, the advertising strategies adopted by sexploitation producers during the early 1960s, the relationship between art and trash in Todd Haynes's oeuvre, and the ways that the Friday the 13th series complicates the distinction between "trash" and "legitimate" cinema. The volume closes with an essay on why cinephiles love to hate the movies.Contributors. Harry M. Benshoff, Kay Dickinson, Chris Fujiwara, Colin Gunckel, Joan Hawkins, Kevin Heffernan, Matt Hills, Chuck Kleinhans, Tania Modleski, Eric Schaefer, Jeffrey Sconce, Greg Taylor |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (352 pages) 59 illustrations |
| ISBN: | 9780822390190 |
| DOI: | 10.1515/9780822390190 |
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Datensatz im Suchindex
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| isbn | 9780822390190 |
| language | English |
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| spelling | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics Jeffrey Sconce Durham Duke University Press [2007] © 2007 1 online resource (352 pages) 59 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Examining film culture's ongoing fascination with the low, bad, and sleazy faces of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They explore the ineffable quality of "sleaze" in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.Writing about horror, exploitation, and sexploitation films, the contributors delve into topics ranging from the place of the "Aztec horror film" in debates about Mexican national identity to a cycle of 1960s films exploring homosexual desire in the military. One contributor charts the distribution saga of Mario Bava's 1972 film Lisa and the Devil through the highs and lows of art cinema, fringe television, grindhouse circuits, and connoisseur DVD markets. Another offers a new perspective on the work of Doris Wishman, the New York housewife turned sexploitation director of the 1960s who has become a cult figure in bad-cinema circles over the past decade. Other contributors analyze the relation between image and sound in sexploitation films and Italian horror movies, the advertising strategies adopted by sexploitation producers during the early 1960s, the relationship between art and trash in Todd Haynes's oeuvre, and the ways that the Friday the 13th series complicates the distinction between "trash" and "legitimate" cinema. The volume closes with an essay on why cinephiles love to hate the movies.Contributors. Harry M. Benshoff, Kay Dickinson, Chris Fujiwara, Colin Gunckel, Joan Hawkins, Kevin Heffernan, Matt Hills, Chuck Kleinhans, Tania Modleski, Eric Schaefer, Jeffrey Sconce, Greg Taylor In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Sensationalism in motion pictures Sex in motion pictures Benshoff, Harry M. Sonstige oth Chris, Fujiwara ctb Chuck, Kleinhans ctb Colin, Gunckel ctb Eric, Schaefer ctb Greg, Taylor ctb Gunckel, Colin Sonstige oth Harry, Benshoff ctb Jeffrey, Sconce ctb Joan, Hawkins ctb Kay, Dickinson ctb Kevin, Heffernan ctb Kleinhans, Chuck Sonstige oth Matt, Hills ctb Modleski, Tania Sonstige oth Schaefer, Eric Sonstige oth Sconce, Jeffrey edt Tania, Modleski ctb https://doi.org/10.1515/9780822390190 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics PERFORMING ARTS / Film & Video / History & Criticism bisacsh Sensationalism in motion pictures Sex in motion pictures |
| title | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics |
| title_auth | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics |
| title_exact_search | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics |
| title_exact_search_txtP | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics |
| title_full | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics Jeffrey Sconce |
| title_fullStr | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics Jeffrey Sconce |
| title_full_unstemmed | Sleaze Artists Cinema at the Margins of Taste, Style, and Politics Jeffrey Sconce |
| title_short | Sleaze Artists |
| title_sort | sleaze artists cinema at the margins of taste style and politics |
| title_sub | Cinema at the Margins of Taste, Style, and Politics |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Sensationalism in motion pictures Sex in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Sensationalism in motion pictures Sex in motion pictures |
| url | https://doi.org/10.1515/9780822390190 |
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