What Moroccan cinema?: a historical and critical study, 1956 - 2006
From its early focus on documentary film and nation building to its more recent spotlight on contemporary culture and feature filmmaking, Moroccan cinema has undergone tremendous change since the country's independence in 1956. In What Moroccan Cinema? A Historical and Critical Study, 1956D2006...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham [u.a.]
Lexington Books
2009
|
| Schriftenreihe: | The Francophone world and postcolonial France
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | From its early focus on documentary film and nation building to its more recent spotlight on contemporary culture and feature filmmaking, Moroccan cinema has undergone tremendous change since the country's independence in 1956. In What Moroccan Cinema? A Historical and Critical Study, 1956D2006, Sandra Gayle Carter chronicles the changes in Moroccan laws, institutions, ancillary influences, individuals active in the field, representative films, and film culture during this fifty-year span. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 379S. |
| ISBN: | 9780739131855 0739131850 |
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| 520 | 3 | |a From its early focus on documentary film and nation building to its more recent spotlight on contemporary culture and feature filmmaking, Moroccan cinema has undergone tremendous change since the country's independence in 1956. In What Moroccan Cinema? A Historical and Critical Study, 1956D2006, Sandra Gayle Carter chronicles the changes in Moroccan laws, institutions, ancillary influences, individuals active in the field, representative films, and film culture during this fifty-year span. | |
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Datensatz im Suchindex
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| adam_text | WHAT MOROCCAN CINEMA? A HISTORICAL AND CRITICAL STUDY, 1956-2006 SANDRA
GAYLE CARTER LEXINGTON BOOKS A DIVISION OF ROWMAN & LITTLEFIELD
PUBLISHERS, INC. LANHAM * BOULDER * NEW YORK * TORONTO * PLYMOUTH, UK
CONTENTS ACKNOWLEDGMENTS XI INTRODUCTION 1 CHAPTER 1: LAYING THE
INDUSTRY FOUNDATIONS, 1956-1970 2 CHAPTER 2: LOOKING TO DEFINE A
MOROCCAN AESTHETIC, 1971-1985 3 CHAPTER 3: NEW DEVELOPMENTS, NEW
AUDIENCES, 1986-2006 3 CHAPTER 4: RECENT DEVELOPMENTS, THEMES, AND
CONCLUSIONS 4 METHODOLOGY 4 MOROCCAN HISTORY AND CULTURE RELATED TO
FILM 13 BERBERITY 18 ANCILLARY MEDIA RELATED TO FILM 22 RADIO TELEVISION
MAROCAINE (RTM) 25 CABLE CHANNEL 2M 29 NEWSPAPERS 31 1 LAYING THE
INDUSTRY FOUNDATIONS, 1956-1970 43 THE CONTEXT AND THE INSTITUTIONS 44
PREINDEPENDENCE: FORMATION AND INITIAL ROLES 45 THE CENTRE
CINEMATOGRAPHIQUE MAROCAIN 46 POSTINDEPENDENCE CENTRE CINEMATOGRAPHIQUE
MAROCAIN 50 EXHIBITION AND DISTRIBUTION 54 PIVOTAL INSTITUTIONS 57
CENSORSHIP 57 CINEMA CLUBS 60 CINEMA CARAVANS 62 FILMS AND FILMMAKERS 64
CONTENTS MAIN PLAYERS AND SHORT FILMS MOHAMED OSFOUR LARBI BENCHEKROUN
LARBI BENNANI MOHAMED TAZI B.A. LATIF LAHLOU AHMED MESNAOUI FEATURE
FILMS: 1956-1970 VAINCRE POUR VIVRE SOLEIL DE PRINTEMPS WECHMA
CONCLUSION 2 LOOKING TO DEFINE A MOROCCAN AESTHETIC, 1971-1985 THE
CONTEXT AND THE INSTITUTIONS THE CHANGING ROLE OF THE FILMMAKER THE
ISSUE OF TECHNICAL MASTERY FILM STYLE THE CENTRE CINEMATOGRAPHIQUE
MAROCAIN ADMINISTRATIVE OR CULTURAL AGENCY? LABORATORY TRAINING TAXATION
MORE PROBLEMS CINEMATIC SUPPORT FUNDS PRIVATE FINANCE FILM COLLECTIVES
SUPPORT FUNDS AND AWARD COMMITTEES EXHIBITION FUNDS PRODUCTION FUNDS
EXHIBITION AND DISTRIBUTION RELATIONS BETWEEN MOROCCAN FILMMAKERS,
EXHIBITORS, AND DISTRIBUTORS PIVOTAL INSTITUTIONS CENSORSHIP CINEMA
CLUBS CRITICISM AND PUBLICATION CINEMA CARAVANS CINEMA FESTIVALS IN
MOROCCO RENCONTRES CINEMATOGRAPHIQUES DE KHOURIBGA NATIONAL FESTIVALS OF
MOROCCAN CINEMA 65 65 65 66 68 69 70 71 72 74 76 78 89 90 91 92 93 97
100 101 102 103 105 107 108 108 109 110 111 113 116 119 119 122 126
129 130 130 131 CONTENTS FIRST NATIONAL FESTIVAL OF MOROCCAN CINEMA:
OCTOBER 1982 SECOND NATIONAL FESTIVAL OF MOROCCAN CINEMA: DECEMBER 1984
FILMS AND FILMMAKERS AL HAL/ TRANCES DE L AUTRE COTE DU FLEUVE/AU-DELA
DU FLEUVE CAUCHEMAR KABOUS MAIN PLAYERS AND SHORT FILMS MOHAMED LAALIOUI
AHMED MESNAOUI KOUIDER BENNANI FEATURE FILMS: 1971-1985 JILALI FERHATI
NABYL LAHLOU MUSTAPHA DERKAOUI CONCLUSION NEW DEVELOPMENTS, NEW
AUDIENCES, 1986-2006 THE CONTEXT AND THE INSTITUTIONS THE ROLE AND
FUNCTION OF CINEMA RELATIONS BETWEEN MOROCCO AND OTHER COUNTRIES THE
MOROCCAN AUDIENCE THE CENTRE CINEMATOGRAPHIQUE MAROCAIN LE CINEMATHEQUE
MAROCAIN CINEMATIC SUPPORT FUNDS COPRODUCTION COOPERATIVE PRODUCTION
PARTICULARS OF THE SUPPORT FUNDS COMPLAINTS AGAINST THE NEW FUNDING
ANTICIPATED CHANGES TO THE FUND EXHIBITION AND DISTRIBUTION DISTRIBUTION
EXHIBITION NEW TRENDS IN DISTRIBUTING AND EXHIBITING MOROCCAN FILMS
EXHIBITION AND DISTRIBUTION OUTSIDE MOROCCO PIVOTAL INSTITUTIONS
CENSORSHIP CINEMA CLUBS CINEMA CARAVANS CINEMA EDUCATION AND TRAINING
INITIATIVES IN MOROCCO CINEMA FESTIVALS IN MOROCCO 133 134 135 141 141
142 144 144 145 145 147 147 153 158 165 187 188 188 193 195 198 202 203
203 204 205 208 209 210 210 212 213 215 216 216 217 219 220 220 VIII
CONTENTS NATIONAL FESTIVALS OF MOROCCAN CINEMA 220 OTHER FESTIVALS IN
MOROCCO 222 RABAT FESTIVAL 223 FILMS AND FILMMAKERS 225 DOCUMENTARIES
AND SHORT FILMS 226 FILMMAKERS-LIVING-ABROAD 227 NABIL AYOUCH 229 MIRIAM
BAKIR 231 RACHID BOUTOUNES 231 ISMAIL FARROUKHI 233 NOUR-EDDINE
LAHKHMARI 234 HASSAN LEGZOULI 235 MOROCCANS-LIVING-IN-MOROCCO 236 DAOUD
OULAD SAYED 236 MOHAMED MEZIANE 237 CINQ FILMS POUR CENT ANS 239 FEATURE
FILMS AND FILMMAKERS: 1986-2006 242 FARIDA BENLYAZID 244 ABDELKADER
LAGTAA 253 HAKIM NOURY 256 MOHAMED ABDERRAHMAN TAZI 260 MOHAMED ASLI 268
NABIL AYOUCH * 270 LAILA MARRAKCHI 272 CONCLUSION 276 4 POLICIES, RECENT
DEVELOPMENTS, THEMES, AND CONCLUSIONS 301 WHAT FUTURE, WHAT CONCLUSION
FOR MOROCCAN CINEMA? 301 THE CONTEXT AND THE INSTITUTIONS 301 CCM AND
SUSTAINMENT FUNDS 303 EXHIBITION AND DISTRIBUTION 304 OTHER INSTITUTIONS
AND MEDIA 305 FILMS AND FILMMAKERS 306 FILMMAKERS 306 MOROCCAN CINEMA
REPRESENTS THE NATION AND PEOPLE 307 WOMEN 309 EMIGRATION, DISPLACEMENT,
ALIENATION 311 TRADITION VERSUS MODERNITY 313 THE COLONIAL EXPERIENCE
314 STATE BUREAUCRACY AND POWER PLAYS 316 CONTENTS IX PESSIMISM AND
FAILURE 318 WHAT FUTURE FOR MOROCCAN CINEMA? 319 APPENDIX 325 SHORTS &
DOCUMENTARIES LISTED BY FILMMAKER 325 FEATURE FILMS LISTED BY FILMMAKER
333 BIBLIOGRAPHY 343 INDEX 369
|
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| author | Carter, Sandra Gayle 1955- |
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| discipline | Allgemeines |
| era | Geschichte 1956-2006 gnd |
| era_facet | Geschichte 1956-2006 |
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| spelling | Carter, Sandra Gayle 1955- Verfasser (DE-588)139484809 aut What Moroccan cinema? a historical and critical study, 1956 - 2006 Sandra Gayle Carter Lanham [u.a.] Lexington Books 2009 XII, 379S. txt rdacontent n rdamedia nc rdacarrier The Francophone world and postcolonial France Includes bibliographical references and index From its early focus on documentary film and nation building to its more recent spotlight on contemporary culture and feature filmmaking, Moroccan cinema has undergone tremendous change since the country's independence in 1956. In What Moroccan Cinema? A Historical and Critical Study, 1956D2006, Sandra Gayle Carter chronicles the changes in Moroccan laws, institutions, ancillary influences, individuals active in the field, representative films, and film culture during this fifty-year span. Geschichte 1956-2006 gnd rswk-swf Film Geschichte Motion picture industry Morocco History Motion pictures Morocco History Film (DE-588)4017102-4 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Marokko (DE-588)4037680-1 gnd rswk-swf Marokko (DE-588)4037680-1 g Film (DE-588)4017102-4 s Geschichte 1956-2006 z DE-604 Filmwirtschaft (DE-588)4154384-1 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017997222&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Carter, Sandra Gayle 1955- What Moroccan cinema? a historical and critical study, 1956 - 2006 Film Geschichte Motion picture industry Morocco History Motion pictures Morocco History Film (DE-588)4017102-4 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4154384-1 (DE-588)4037680-1 |
| title | What Moroccan cinema? a historical and critical study, 1956 - 2006 |
| title_auth | What Moroccan cinema? a historical and critical study, 1956 - 2006 |
| title_exact_search | What Moroccan cinema? a historical and critical study, 1956 - 2006 |
| title_full | What Moroccan cinema? a historical and critical study, 1956 - 2006 Sandra Gayle Carter |
| title_fullStr | What Moroccan cinema? a historical and critical study, 1956 - 2006 Sandra Gayle Carter |
| title_full_unstemmed | What Moroccan cinema? a historical and critical study, 1956 - 2006 Sandra Gayle Carter |
| title_short | What Moroccan cinema? |
| title_sort | what moroccan cinema a historical and critical study 1956 2006 |
| title_sub | a historical and critical study, 1956 - 2006 |
| topic | Film Geschichte Motion picture industry Morocco History Motion pictures Morocco History Film (DE-588)4017102-4 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| topic_facet | Film Geschichte Motion picture industry Morocco History Motion pictures Morocco History Filmwirtschaft Marokko |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017997222&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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