Byte-sized television: create your own tv series for the Internet
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Studio City, CA
Michael Wiese Productions
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 218 S. |
| ISBN: | 9781932907865 |
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| adam_text | IMAGE 1
I
TELEVISION CREATE YOUR OWN TV SERIES FOR THE INTERNET R
MICHAEL WIESE PRODUCTIONS
IMAGE 2
TABLE OFCONTENTS
PREFACE ,., ... ,.. ,.. ,.. ,.. ,.. ,. . .,. .. ,., .. XI
WHAT S THIS BOOK ABOUT AND WHO IS IT FOR?
CHAPTERONE.. ,.. . ,., .. ,.. ., .. ., .. ,. ., .. ,., .. ,.. L
WHAT IS A WEBISODE?
A BRIEF HISTORY OF SHORT EPISODIC VIDEO ON THE WEB ,. .,. . , 2
WHAT S OUT THERE ALREADY - AMATEUR AND PROFESSIONAL. , . , .. , ., 8
WHY CREATE FOR THE INTERNET? . , .. , .. , .. , .. , .. , .. , .. , . ,
.. , . , .. .13
FOR TEACHERS ... , , .. , , . , , . , , . , , . , . , , .. , .. , .
, , . , . , .. , , , .. , .. , . ,16
CHAPTER TWO . .. .. ,.. ,.. ,.. ,.. . . ., .. ,.. ,. .,17
THE SERIES CONCEPT
WHAT IS A SERIES AS OPPOSED TO A STAND-ALONE SHORT FILM? . , .. , . ,17
FATALLY FLAWED SERIES CONCEPTS, ..... , .. , . , , . , , . , .. , .. , .
, , . , .. , .18
BE BOLD, FRESH AND ORIGINAL. , .. .. , .. , .. , .. , .. . , , .
.. , . , . , , . ,21
SO WHERE S THE DRAMA? , . , , . , , .. , .. , .. , .. , .. , .. , .. , .
, , . , , . , . , . 26
YOU NEED A KILLER TITLE. , , .. , , . , .. , , .. , . , , . , , . , .. ,
. , , . , , . , . , ., 27
FOR TEACHERS .... , .. , , . , , .. , , .. , . , , . , , .. , . , , . ,
, .. , . , , . , .. , . , .. , . 28
CHAPTER THREE. ,,. ,,.. ,.. ,.. ,.. ,.. ,,. ,.. ,. ,,. ,,. ,.. ,. ,,. 29
CREATING COMPELLING CHARACTERS
CHARACTER ESSENTIALS. .. , , . , , , . .. , , . , , . , .. , , . ,
.. , .. , . , , . , . , , . 32
CHARACTERIZATION. , , .. , , .. , , . , , . , , .. , .. , . , , . , , .
, , . , .. , .. , . , .. , 36
YOUR OVERALL CHARACTER LANDSCAPE. , .. , .. , .. , . , .. , , . .. ,
.. , . , , . 38
LEADING CHARACTERS VS. SUPPORTING CHARACTERS .. , . , , . , .. , .. , .
, , 39
DRAWING ON REAL LIFE. , . , , , .. , , .. , , . , . , , . , .. , . ,
, , , , . , , . , . , .. 40
GROWING YOUR CHARACTERS, , , , .. , , . , , .. , . , , . , , . , . , , ,
. , .. , . , , . , . 42
FOR TEACHERS ..... , , . , . , , , .... , , ... , .. , .. , .. , . , ..
, .. , , . , .. , .. , . , 44
V
IMAGE 3
R:- BYTE-SIZED TELEVISION I BROWN
CHAPTERFOUR 45
CREATING THE WORLD OF YOUR SERIES
LAYING OUT THE RULES 45
REALITY VS. BELIEVABILITY 47
BUILDING ON THE REALITY YOU CREATE 49
FOR TEACHERS 50
CHAPTERFIVE 52
THE PILOT - STORY
CREATING A STORY THAT TELLS AND SELLS 53
PREMISE PILOT VS. EPISODE 10 PILOT 53
YOU VE ONLY GOT A FEW MINUTES, SO BE ECONOMICAL. 55
CREATING MEMORABLE CHARACTER INTRODUCTIONS 57
STORY STRUCTURE: BEGINNING-MIDDLE-END 58
PUTTING IT ON PAPER - CREATING AN OUTLINE 62
PITCH IT OUT LOUD TO A FRIEND OR THREE 64
FOR TEACHERS 65
CHAPTER SIX 67
THE PILOT - SCRIPT
BUILDING YOUR SCRIPT, SCENE BY SCENE 69
DEVIATING FROM THE OUTLINE 72
WHAT MAKES GOOD DIALOGUE - THE 4 CS 74
MAKING YOUR SCRIPT READ VISUALLY 79
YOU VE GOT A FIRST DRAFT - TIME TO GET TO WORK AGAIN 82
WHEN IS IT READY TO BE SHOT? 84
FOR TEACHERS 84
CHAPTERSEVEN 86
CHOOSING A VISUAL STYLE
THE MARRIAGE OF STYLE AND CONTENT 88
BEGINNINGS, ENDINGS AND TRANSITIONS 89
FOR TEACHERS 91
IMAGE 4
TABLE OF CONTENTS ~
CHAPTEREIGHT 92
PRACTICAL CONCERNS - EQUIPMENT AND BUDGET
EQUIPMENT: FROM THE BARGAIN BASEMENT TO THE PENTHOUSE 93
CAMERAS AND CAMERA ACCESSORIES 95
SOUND - MIKES, BOOMS, RECORDERS, ETC 97
LIGHTS 100
EDITING SOFTWARE - FANCIER STUFF 100
LEARNING MORE ABOUT ALL THIS EQUIPMENT AND HOW TO USE IT 101
FOR TEACHERS 102
CHAPTERNINE 103
THE PILOT - PREPRODUCTION
CASTING: FINDING TALENTED ACTORS WHEN YOU HAVE NO BUDGET 104 LOCATIONS:
IMAGINATION MEETS REALITY 106
PERMITS 107
DEVELOPING A SHOOTING SCHEDULE 108
REVISING THE SCRIPT TO FIT THE LOGISTICS 110
MAKING A SHOT LIST 112
PROPS AND WARDROBE 116
SITUATIONS THAT REQUIRE SPECIAL PREPRODUCTION 116
FOR TEACHERS 117
CHAPTER TEN 119
THE PILOT - PRODUCTION
DEALING WITH THE UNEXPECTED 120
BE QUICK, BUT DON T HURRY 121
GETTING ENOUGH TAKES AND COVERAGE 122
YOU AREN T THE ONLY GENIUS ON THE SET 124
ACTORS AREN T PUPPETS 125
CREWMEMBERS AREN T SLAVES 126
THE WORLD IS NOT A SET 127
FOR TEACHERS 129
IMAGE 5
F BYTE-SIZED TELEVISION I BROWN
CHAPTERELEVEN 131
THE PILOT - POSTPRODUCTION
THE ROUGH CUT - PUTTING IT TOGETHER 132
THE ROUGH CUT - ASSESSING WHAT YOU HAVE 134
REFINING THE CUT 135
POSTPRODUCTION SOUND 137
ADDING MUSIC 138
CREATING A MAIN TITLE 140
FOR TEACHERS 143
CHAPTERTWELVE 144
BUILDING ON THE PILOT - COMING UP WITH EPISODE IDEAS
GROWING YOUR SERIES 146
GROWING YOUR CHARACTERS 150
LEARNING FROM EACH EPISODE YOU SHOOT 151
HOW MANY EPISODES DO I NEED BEFORE I CAN POST MY SERIES? 153 FOR
TEACHERS 154
CHAPTERTHIRTEEN 156
POSTING YOUR SHOW ON THE INTERNET
YOUTUBE 157
BEYOND YOUTUBE 159
PUBLICIZING AND MARKETING YOUR SERIES 160
FESTIVALS AND CONTESTS 162
SHOULD YOU CREATE YOUR OWN WEBSITE? 163
FOR TEACHERS 164
CHAPTERFOURTEEN 165
INTERVIEWS WITH CREATORS
JERRY ZUCKER - COMEDY PRO RETURNS TO HIS ROOTS 166
CHRISTINE LAKIN - CHILD ACTOR ALL GROWN UP AND PRODUCING NOW, TOO 171
MARSHALL HERSKOVITZ - FROM NETWORK TV TO THE INTERNET 176
VALERIE SHEPHERD & MICHAEL ASHLEY - A WAY TO BREAK IN 181
CHARLES ROSIN - INTERNET 90210 187
FRANK CHINDAMO - MOBILE MEDIA MASTER 192
IMAGE 6
TABLE OF CONTENTS ~
EPILOGUE 198
YOU RE READY! HONEST! SO GO DO IT!
APPENDIX1 200
SCREENPLAY FORMAT TUTORIAL.
APPENDIX2 208
RECOMMENDED READING FOR MORE DETAILED DISCUSSIONS OF THE CRAFTS.
APPENDIX3 210
SYLLABI AND COURSE OUTLINES FOR TEACHERS.
ABOUT THEAUTHOR 218
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| title_auth | Byte-sized television create your own tv series for the Internet |
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| title_full | Byte-sized television create your own tv series for the Internet Ross Brown |
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