Chester Brown
Chester William David Brown (born 16 May 1960) is a Canadian cartoonist. Brown has gone through several stylistic and thematic periods. He gained notice in
alternative comics circles in the 1980s for the surreal, scatological ''
Ed the Happy Clown'' serial. After bringing ''Ed'' to an abrupt end, he
delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists
Joe Matt and
Seth, and the
autobiographical comics trend. Two graphic novels came from this period: ''
The Playboy'' (1992) and ''
I Never Liked You'' (1994). Surprise mainstream success in the 2000s came with ''
Louis Riel'' (2003), a historical-biographical graphic novel about rebel
Métis leader
Louis Riel. ''
Paying for It'' (2011) drew controversy as a polemic in support of decriminalizing prostitution, a theme he explored further with ''
Mary Wept Over the Feet of Jesus'' (2016), a book of adaptations of stories from the Bible that Brown believes promote pro-prostitution attitudes among early Christians.
Brown draws from a range of influences, including monster and superhero comic books,
underground comix, and comic strips such as
Harold Gray's ''
Little Orphan Annie''. His later works employ a sparse drawing style and flat dialogue. Rather than the traditional method of drawing complete pages, Brown draws individual panels without regard for page composition and assembles them into pages after completion. Since the late 1990s Brown has had a penchant for providing detailed annotations for his work and extensively altering and reformatting older works.
Brown at first
self-published his work as a
minicomic called ''
Yummy Fur'' beginning in 1983; Toronto publisher
Vortex Comics began publishing the series as a comic book in 1986. The content tended towards controversial themes: a distributor and a printer dropped it in the late 1980s, and it has been held up at the
Canada–United States border. Since 1991, Brown has associated himself with
Montreal publisher
Drawn & Quarterly. Following ''Louis Riel'' Brown ceased serializing his work to publish graphic novels directly. He has received grants from the
Canada Council to complete ''Louis Riel'' and ''Paying for It''.
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