Apostrophe Duchamp: a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A'
In 1967 and 1968 an exhibition of Marcel Duchamp's ground-breaking avant-garde art, from the Mary Sisler Collection, toured New Zealand and Australia. The exhibition included some of the most famous of Duchamp's readymades, such as the Bicycle Wheel and the inverted urinal, Fountain. The e...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Southbank Victoria]
Art + Australia Publishing
October 2018
|
| Schriftenreihe: | Document series
no. 1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In 1967 and 1968 an exhibition of Marcel Duchamp's ground-breaking avant-garde art, from the Mary Sisler Collection, toured New Zealand and Australia. The exhibition included some of the most famous of Duchamp's readymades, such as the Bicycle Wheel and the inverted urinal, Fountain. The exhibition's arrival in Sydney and Melbourne in 1968 coincided with the visit of the eminent and controversial US art critic Clement Greenberg, who delivered the first Power Lecture at the University of Sydney. In his lecture, Avantgarde Attitudes, Greenberg swiped at Duchamp's ready-mades for being 'easy' art. The same year the National Gallery of Victoria re-opened on St Kilda Road with The Field, an exhibition of so-called colour field painting. The following year Donald Brook delivered a riposte to Greenberg, and to the critical theory sustaining post-painterly abstraction, in his Power Lecture, Flight from the Object. A battleground had formed. This book, the first in the series of Documents from Art+Australia, charts the dramatic juncture of these competing and combative artistic orientations, and the stakes in what increasingly became, with the emergence of conceptual art and expanded artistic media, a challenge to modernist orthodoxy |
| Beschreibung: | 174 Seiten Illustrationen |
| ISBN: | 9780995392557 0995392552 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV045906950 | ||
| 003 | DE-604 | ||
| 005 | 20190731 | ||
| 007 | t | ||
| 008 | 190603s2018 a||| |||| 00||| eng d | ||
| 020 | |a 9780995392557 |9 978-0-9953925-5-7 | ||
| 020 | |a 0995392552 |9 0-9953925-5-2 | ||
| 035 | |a (OCoLC)1104906919 | ||
| 035 | |a (DE-599)BSZ52034510X | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 050 | 0 | |a BH | |
| 082 | 0 | |a 111.85 | |
| 084 | |a KUNST |q DE-16 |2 fid | ||
| 084 | |a LI 27420 |0 (DE-625)95913: |2 rvk | ||
| 084 | |a 20.31 |2 bkl | ||
| 084 | |a 21.99 |2 bkl | ||
| 084 | |a 20.06 |2 bkl | ||
| 245 | 1 | 0 | |a Apostrophe Duchamp |b a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' |c editor Edward Colless ; authors Donald Brook [und 8 weitere] |
| 246 | 1 | 3 | |a Apostrophe |
| 246 | 1 | 3 | |a A' |
| 246 | 1 | 3 | |a A' Apostrophe Duchamp |
| 246 | 1 | 3 | |a Or A' |
| 264 | 1 | |a [Southbank Victoria] |b Art + Australia Publishing |c October 2018 | |
| 300 | |a 174 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Document series |v no. 1 | |
| 520 | 3 | |a In 1967 and 1968 an exhibition of Marcel Duchamp's ground-breaking avant-garde art, from the Mary Sisler Collection, toured New Zealand and Australia. The exhibition included some of the most famous of Duchamp's readymades, such as the Bicycle Wheel and the inverted urinal, Fountain. The exhibition's arrival in Sydney and Melbourne in 1968 coincided with the visit of the eminent and controversial US art critic Clement Greenberg, who delivered the first Power Lecture at the University of Sydney. In his lecture, Avantgarde Attitudes, Greenberg swiped at Duchamp's ready-mades for being 'easy' art. The same year the National Gallery of Victoria re-opened on St Kilda Road with The Field, an exhibition of so-called colour field painting. The following year Donald Brook delivered a riposte to Greenberg, and to the critical theory sustaining post-painterly abstraction, in his Power Lecture, Flight from the Object. A battleground had formed. This book, the first in the series of Documents from Art+Australia, charts the dramatic juncture of these competing and combative artistic orientations, and the stakes in what increasingly became, with the emergence of conceptual art and expanded artistic media, a challenge to modernist orthodoxy | |
| 600 | 1 | 7 | |a Greenberg, Clement |d 1909-1994 |0 (DE-588)118718606 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Duchamp, Marcel |d 1887-1968 |0 (DE-588)11852772X |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1967-1970 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Concept-art |0 (DE-588)4032354-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Australien |0 (DE-588)4003900-6 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Neuseeland |0 (DE-588)4041915-0 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Duchamp, Marcel |d 1887-1968 |0 (DE-588)11852772X |D p |
| 689 | 0 | 1 | |a Greenberg, Clement |d 1909-1994 |0 (DE-588)118718606 |D p |
| 689 | 0 | 2 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 0 | 3 | |a Australien |0 (DE-588)4003900-6 |D g |
| 689 | 0 | 4 | |a Neuseeland |0 (DE-588)4041915-0 |D g |
| 689 | 0 | 5 | |a Concept-art |0 (DE-588)4032354-7 |D s |
| 689 | 0 | 6 | |a Geschichte 1967-1970 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Colless, Edward |4 edt |4 aut | |
| 700 | 1 | |a Brook, Donald |d 1927-2018 |0 (DE-588)188402500 |4 aut | |
| 700 | 1 | |a Duchamp, Marcel |d 1887-1968 |0 (DE-588)11852772X |4 ill | |
| 830 | 0 | |a Document series |v no. 1 |w (DE-604)BV046025899 |9 1 | |
| 856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031289651&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031289651 | ||
Datensatz im Suchindex
| _version_ | 1804180075139039232 |
|---|---|
| adam_text | 008-027
028-033
034-046
048-069
071-074
075-113
114-123
124-131
132-141
142-153
154-167
168-169
171
173-175
APOSTROPHE
*
EDWARD COLLESS
WHAT
MATTERS
IS
THAT
WE
ARE
FRIENDS
*
TOM
PICTON-WARLOW
MARC
EL
DUCHAMP
*
MONIQUE
FONG
WITH
ALL
KINDS
OF
DELAYS:
MARCEL
DUCHAMP
IN
NEW
ZEALAND.
1967
*
MARCUS
MOORE
COOLER
*
DANIEL
THOMAS
POLAROIDS
*
DANIEL
THOMAS
AN ANTI-AVANT-GARDE
ATTITUDE:
CLEMENT
GREENBERG
IN
SYDNEY.
1968
*
TERRY
SMITH
THE
STYLE
OF
THE
SIXTIES
*
TERRY
SMITH
DUCHAMP.
1968
AND
OPPOSING
FEET
*
DONALD
BROOK
POST-OB.JECT
ART
*
DONALD
BROOK
MARC
EL
AND
FELLX:
AN
AUSTRALIAN
RENDEZVOUS
*
REX
BUTLER
AND
A.D.S.
DONALDSON
PENTOTHAL
CONTRIBUTORS
ANASTROPHE
*
EDWARD COLLESS
|
| any_adam_object | 1 |
| author | Colless, Edward Brook, Donald 1927-2018 |
| author2 | Colless, Edward Duchamp, Marcel 1887-1968 |
| author2_role | edt ill |
| author2_variant | e c ec m d md |
| author_GND | (DE-588)188402500 (DE-588)11852772X |
| author_facet | Colless, Edward Brook, Donald 1927-2018 Colless, Edward Duchamp, Marcel 1887-1968 |
| author_role | aut aut |
| author_sort | Colless, Edward |
| author_variant | e c ec d b db |
| building | Verbundindex |
| bvnumber | BV045906950 |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BH |
| callnumber-raw | BH |
| callnumber-search | BH |
| callnumber-sort | BH |
| callnumber-subject | BH - Aesthetics |
| classification_rvk | LI 27420 |
| ctrlnum | (OCoLC)1104906919 (DE-599)BSZ52034510X |
| dewey-full | 111.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111.85 |
| dewey-search | 111.85 |
| dewey-sort | 3111.85 |
| dewey-tens | 110 - Metaphysics |
| discipline | Kunstgeschichte Philosophie |
| era | Geschichte 1967-1970 gnd |
| era_facet | Geschichte 1967-1970 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03906nam a2200649 cb4500</leader><controlfield tag="001">BV045906950</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190731 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190603s2018 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780995392557</subfield><subfield code="9">978-0-9953925-5-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0995392552</subfield><subfield code="9">0-9953925-5-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1104906919</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ52034510X</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">BH</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111.85</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-16</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 27420</subfield><subfield code="0">(DE-625)95913:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.31</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">21.99</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.06</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Apostrophe Duchamp</subfield><subfield code="b">a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A'</subfield><subfield code="c">editor Edward Colless ; authors Donald Brook [und 8 weitere]</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Apostrophe</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">A'</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">A' Apostrophe Duchamp</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Or A'</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Southbank Victoria]</subfield><subfield code="b">Art + Australia Publishing</subfield><subfield code="c">October 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">174 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Document series</subfield><subfield code="v">no. 1</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In 1967 and 1968 an exhibition of Marcel Duchamp's ground-breaking avant-garde art, from the Mary Sisler Collection, toured New Zealand and Australia. The exhibition included some of the most famous of Duchamp's readymades, such as the Bicycle Wheel and the inverted urinal, Fountain. The exhibition's arrival in Sydney and Melbourne in 1968 coincided with the visit of the eminent and controversial US art critic Clement Greenberg, who delivered the first Power Lecture at the University of Sydney. In his lecture, Avantgarde Attitudes, Greenberg swiped at Duchamp's ready-mades for being 'easy' art. The same year the National Gallery of Victoria re-opened on St Kilda Road with The Field, an exhibition of so-called colour field painting. The following year Donald Brook delivered a riposte to Greenberg, and to the critical theory sustaining post-painterly abstraction, in his Power Lecture, Flight from the Object. A battleground had formed. This book, the first in the series of Documents from Art+Australia, charts the dramatic juncture of these competing and combative artistic orientations, and the stakes in what increasingly became, with the emergence of conceptual art and expanded artistic media, a challenge to modernist orthodoxy</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Greenberg, Clement</subfield><subfield code="d">1909-1994</subfield><subfield code="0">(DE-588)118718606</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="0">(DE-588)11852772X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1967-1970</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Concept-art</subfield><subfield code="0">(DE-588)4032354-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Australien</subfield><subfield code="0">(DE-588)4003900-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Neuseeland</subfield><subfield code="0">(DE-588)4041915-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="0">(DE-588)11852772X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Greenberg, Clement</subfield><subfield code="d">1909-1994</subfield><subfield code="0">(DE-588)118718606</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Australien</subfield><subfield code="0">(DE-588)4003900-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Neuseeland</subfield><subfield code="0">(DE-588)4041915-0</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Concept-art</subfield><subfield code="0">(DE-588)4032354-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1967-1970</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Colless, Edward</subfield><subfield code="4">edt</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brook, Donald</subfield><subfield code="d">1927-2018</subfield><subfield code="0">(DE-588)188402500</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="0">(DE-588)11852772X</subfield><subfield code="4">ill</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Document series</subfield><subfield code="v">no. 1</subfield><subfield code="w">(DE-604)BV046025899</subfield><subfield code="9">1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031289651&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031289651</subfield></datafield></record></collection> |
| geographic | Australien (DE-588)4003900-6 gnd Neuseeland (DE-588)4041915-0 gnd |
| geographic_facet | Australien Neuseeland |
| id | DE-604.BV045906950 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:29:59Z |
| institution | BVB |
| isbn | 9780995392557 0995392552 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031289651 |
| oclc_num | 1104906919 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 174 Seiten Illustrationen |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Art + Australia Publishing |
| record_format | marc |
| series | Document series |
| series2 | Document series |
| spelling | Apostrophe Duchamp a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' editor Edward Colless ; authors Donald Brook [und 8 weitere] Apostrophe A' A' Apostrophe Duchamp Or A' [Southbank Victoria] Art + Australia Publishing October 2018 174 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Document series no. 1 In 1967 and 1968 an exhibition of Marcel Duchamp's ground-breaking avant-garde art, from the Mary Sisler Collection, toured New Zealand and Australia. The exhibition included some of the most famous of Duchamp's readymades, such as the Bicycle Wheel and the inverted urinal, Fountain. The exhibition's arrival in Sydney and Melbourne in 1968 coincided with the visit of the eminent and controversial US art critic Clement Greenberg, who delivered the first Power Lecture at the University of Sydney. In his lecture, Avantgarde Attitudes, Greenberg swiped at Duchamp's ready-mades for being 'easy' art. The same year the National Gallery of Victoria re-opened on St Kilda Road with The Field, an exhibition of so-called colour field painting. The following year Donald Brook delivered a riposte to Greenberg, and to the critical theory sustaining post-painterly abstraction, in his Power Lecture, Flight from the Object. A battleground had formed. This book, the first in the series of Documents from Art+Australia, charts the dramatic juncture of these competing and combative artistic orientations, and the stakes in what increasingly became, with the emergence of conceptual art and expanded artistic media, a challenge to modernist orthodoxy Greenberg, Clement 1909-1994 (DE-588)118718606 gnd rswk-swf Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd rswk-swf Geschichte 1967-1970 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Concept-art (DE-588)4032354-7 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf Neuseeland (DE-588)4041915-0 gnd rswk-swf Duchamp, Marcel 1887-1968 (DE-588)11852772X p Greenberg, Clement 1909-1994 (DE-588)118718606 p Rezeption (DE-588)4049716-1 s Australien (DE-588)4003900-6 g Neuseeland (DE-588)4041915-0 g Concept-art (DE-588)4032354-7 s Geschichte 1967-1970 z DE-604 Colless, Edward edt aut Brook, Donald 1927-2018 (DE-588)188402500 aut Duchamp, Marcel 1887-1968 (DE-588)11852772X ill Document series no. 1 (DE-604)BV046025899 1 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031289651&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Colless, Edward Brook, Donald 1927-2018 Apostrophe Duchamp a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' Document series Greenberg, Clement 1909-1994 (DE-588)118718606 gnd Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd Rezeption (DE-588)4049716-1 gnd Concept-art (DE-588)4032354-7 gnd |
| subject_GND | (DE-588)118718606 (DE-588)11852772X (DE-588)4049716-1 (DE-588)4032354-7 (DE-588)4003900-6 (DE-588)4041915-0 |
| title | Apostrophe Duchamp a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' |
| title_alt | Apostrophe A' A' Apostrophe Duchamp Or A' |
| title_auth | Apostrophe Duchamp a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' |
| title_exact_search | Apostrophe Duchamp a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' |
| title_full | Apostrophe Duchamp a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' editor Edward Colless ; authors Donald Brook [und 8 weitere] |
| title_fullStr | Apostrophe Duchamp a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' editor Edward Colless ; authors Donald Brook [und 8 weitere] |
| title_full_unstemmed | Apostrophe Duchamp a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' editor Edward Colless ; authors Donald Brook [und 8 weitere] |
| title_short | Apostrophe Duchamp |
| title_sort | apostrophe duchamp a duchampian double cross and disjecta membra or an antarctic aporia apophatic apologia apodeictic apotheosis apocryphal antidote antipathetic apostasy antagonistic antiparticle and antipodal atrocity a |
| title_sub | a 'Duchampian double-cross and disjecta membra or an antarctic aporia, apophatic apologia, apodeictic apotheosis, apocryphal antidote, antipathetic apostasy, antagonistic antiparticle, and antipodal atrocity : A' |
| topic | Greenberg, Clement 1909-1994 (DE-588)118718606 gnd Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd Rezeption (DE-588)4049716-1 gnd Concept-art (DE-588)4032354-7 gnd |
| topic_facet | Greenberg, Clement 1909-1994 Duchamp, Marcel 1887-1968 Rezeption Concept-art Australien Neuseeland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031289651&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV046025899 |
| work_keys_str_mv | AT collessedward apostropheduchampaduchampiandoublecrossanddisjectamembraoranantarcticaporiaapophaticapologiaapodeicticapotheosisapocryphalantidoteantipatheticapostasyantagonisticantiparticleandantipodalatrocitya AT brookdonald apostropheduchampaduchampiandoublecrossanddisjectamembraoranantarcticaporiaapophaticapologiaapodeicticapotheosisapocryphalantidoteantipatheticapostasyantagonisticantiparticleandantipodalatrocitya AT duchampmarcel apostropheduchampaduchampiandoublecrossanddisjectamembraoranantarcticaporiaapophaticapologiaapodeicticapotheosisapocryphalantidoteantipatheticapostasyantagonisticantiparticleandantipodalatrocitya AT collessedward apostrophe AT brookdonald apostrophe AT duchampmarcel apostrophe AT collessedward a AT brookdonald a AT duchampmarcel a AT collessedward aapostropheduchamp AT brookdonald aapostropheduchamp AT duchampmarcel aapostropheduchamp AT collessedward ora AT brookdonald ora AT duchampmarcel ora |