The world created in the image of man the conflict between pictorial form and space in defiance of the law of temporality von Brodskij, Vladimir Evseevič

Inhaltsverzeichnis

The arch motive in Italian Renaissance art its changing meaning in compositional function von Brodskij, Vladimir Evseevič

French Impressionism as heir to the classical tradition and its encounter with Japanese "Pictures of the floating world" ("Ukiyo-e") von Brodskij, Vladimir Evseevič

What happened next? Postmodern art in the context of the historical development of the interrelation of form and space von Brodskij, Vladimir Evseevič

Japonskoe klassiceskoe iskusstvo Zivopis; Grafika; Ocerki von Brodskij, Vladimir Evseevič

"The Virgin of Vladimir" (early twelfth century) and "The Virgin of the Don" (c. 1392), two icons from the Tretyakov Gallery in Moscow striving to particularize feeling von Brodskij, Vladimir Evseevič

Rembrandt and the Baroque contained emotion and the hostility of darkness von Brodskij, Vladimir Evseevič