Writing for new media: the essential guide to writing for interactive media, CD-ROM's, and the web
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York u.a.
Wiley
1998
|
| Schriftenreihe: | Wiley books for writers
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 230 S. |
| ISBN: | 0471170305 |
Internformat
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Datensatz im Suchindex
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| adam_text | WRITING FOR NEW MEDIA THE ESSENTIAL GUIDE TO WRITING FOR INTERACTIVE
MEDIA, CD-ROMS, AND THE WEB ANDREW BONIME KEN C. POHLMANN JOHN WILEY &
SONS, INC. NEW YORK * CHICHESTER * WEINHEIM * BRISBANE * SINGAPORE *
TORONTO CONTENTS ACKNOWLEDGMENTS INTRODUCTION PART ONE WHAT IS
INTERACTIVE WRITING? 1 WHAT IS INTERACTIVITY? EVERYDAY INTERACTIVITY
INTERACTIVE TV ARE BOOKS AND MAGAZINES INTERACTIVE? INTERACTIVITY AND
THE NEW MEDIA BOOKS: PROS AND CONS SUMMARY 2 BOOKS AND EBOOKS FROM BOOKS
TO BITS THE ELEMENTS OF INTERACTIVITY AND EBOOKS SUMMARY 3 INTRINSIC
INTERACTIVITY: SOME MEDIA ARE ALREADY INTERACTIVE A SOLUTION IN SEARCH
OF A PROBLEM HOW INTERACTIVITY STEMS FROM CONTENT IV CONTENTS EXAMPLES
OF MEDIA THAT CAN BENEFIT FROM INTERACTIVITY 33 SUMMARY 44 4 LINEAR
WRITING VERSUS INTERACTIVE WRITING 45 HYPERTEXT AND HYPERMEDIA: A WEB,
NOT A CHAIN 45 HYPERTEXT AND HYPERMEDIA IN ACTION 46 THE WORLD WIDE
BRAIN 41 DIFFICULTIES OF HYPERTEXT WRITING 47 EXAMPLES OF INTERACTIVITY
49 SUMMARY 54 5 THE ROLE OF THE WRITER IN INTERACTIVE MEDIA 56 THE TEAM
56 THE WRITER AND INTERACTIVE MEDIA 64 HAVE WORD PROCESSING PROGRAM,
WILL TRAVEL 64 LOVE MY BOOK, LOVE ME 65 WE LOVE YOUR IDEA: LET S MEET,
AND BHNG YOUR AGENT 65 LEGAL RIGHTS 66 SUMMARY 67 PART TWO WRITING AND
THINKING FOR INTERACTIVE MEDIA 69 6 HOW TO THINK INTERACTIVELY 71 FREE
ASSOCIATION TRAINING 71 TAMING THE WANDERING MIND 72 SUMMARY 73 7 HOW TO
CHOOSE INTERACTIVE CONTENT 74 WHEN EHOOKS DON T WORK 74 WHEN EHOOKS DO
WORK 76 CONTENTS V DOES MIT HAVE THE ANSWER? 77 SUMMARY 78 8 HOW TO PLAN
AND PRESENT AN INTERACTIVE TITLE IDEA 79 PHASE I: PLANNING AN
INTERACTIVE TITLE 79 PHASE II: THE PRESENTATION * HOW TO PRESENT YOUR
TITLE TO A DEVELOPER OR PUBLISHER 83 PHASE III: HOW TO PLAN TO WRITE A
TITLE 85 SUMMARY * 88 9 TOOLS TO HELP DEVELOP YOUR IDEAS AND PLAN THE
TITLE 89 FLOWCHARTING SOFTWARE 89 WORD PROCESSING PROGRAMS 90 DRAWING
AND PAINTING PROGRAMS 91 INTERACTIVE AUTHORING PROGRAMS 92 PRESENTATION
PROGRAMS 92 PROGRAMMING LANGUAGES 93 PROGRAMS TO HELP THE WRITER STAY
ORGANIZED 93 SUMMARY 93 0 PLANNING FOR INTERACTIVITY IN A LINEAR TITLE
94 SUMMARY 95 PART THREE INTERACTIVE GRAMMAR*THE PARTS OF INTERACTIVE
SPEECH 97 11 THE GRAMMAR OF INTERACTIVITY 99 CINEMATIC QRAMMAR 99
INTERACTIVE NOUNS AND VERBS 100 VI CONTENTS THE ELEMENTS OF INTERACTIVE
QRAMMAR MORE TO COME SUMMARY 12 THE USER S GRAMMAR POINT CLICK DOUBLE
CLICK RIGHT MOUSE BUTTON CLICK SELECT DRAG AND DROP KEYING IN SCROLLING
SUMMARY 3 THE WRITER S GRAMMAR DISCOVERABILITY ROLLOVERS POP-UP BOXES
BUTTONS RADIO BUTTONS ICONS MENUS DROP-DOWN FIELDS SUMMARY 101 116 117
118 118 121 122 122 123 123 124 125 126 127 127 128 129 130 130 130 *
131 133 14 INTERACTIVE SENTENCES: DESIGNING THE PERFECT DATA CHUNK 134
THE RULES OF THE INTERACTIVE ROAD 134 KEEP IT SHORT 135 KEEP IT
SELF-CONTAINED 135 THINK MULTIMEDIA 135 USE CREATIVE INTERACTIVITY 137
THINK SIDEBARS 137 INTEGRATE FOOTNOTES, BIBLIOGRAPHIES, AND SUPPORTING
MATERIAL 137 CONTENTS VII DETERMINE LEVELS OFLNFORMATION MODIFICATION
138 USE SCREEN METAPHORS CAREFULLY 138 SUMMARY 140 15 UNDERSTANDING HOW
INTERACTIVITY AFFECTS USER COMPREHENSION AND RETENTION 142 NOU THAT YOU
ASK 142 A MATTER OF LEVELS 143 FIELD DAY FOR CONTROL FREAKS 145
SUMMARY 145 PART FOUR INTERACTIVE STORYTELLING 147 16 17 18 COMPUTER
VERSUS TELEVISION SCREEN THE VENUE IS THE MESSAGE WEH TV AND CD-ROM TV
SUMMARY STORY BRANCHING CHOOSE YOUR OWN ADVENTURE INTERACTIVITY AND FREE
WILL INTERACTIVITY SHOULD NOT BE A CRUTCH UNREALITY AND NATURAL CHOICES
OFFERING THE READER SEVERAL CHOICES MULTIPLE BEGINNINGS, MIDDLES, AND
ENDINGS PLOT COMPLEXITY AND CHAOS THEORY SUMMARY J INVOLVING THE
READER/USER: USING THE SECOND PERSON SECOND PERSON INTERACTIVE WHO S ON
SECOND? 149 149 151 152 153 153 154 154 155 155 156 157 158 159 159 160
VIII CONTENTS E 161 164 165 165 166 166 167 168 168 169 PROBLEMS WITH
THE SECOND PERSON SUMMARY 19 BEING CREATIVE: ENRICHING THE TITLE SEE THE
BOOK, READ THE MOVIE INTERACTIVE NOVELS INTERACTIVE MOVIES HYBRIDS
NONNARRATIVE STORIES PITFALLS SUMMARY PART FIVE THE TECHNOLOGY OF
INTERACTIVE PUBLISHING 171 20 IN AND OUT OF THE SYSTEM 173 PRINTING 173
COPYING 174 ANNOTATION 1 75 SUMMARY 176 21 CD-ROM VERSUS ONLINE 177 A
TALE OF TWO PARADIGMS 177 BANDWIDTH: THE DIAMETER OF THE PIPE 178
TELEVISION VERSUS PRINT 179 THE ONLINE REVOLUTION 180 MONEY, MONEY,
MONEY 181 HOW TO WRITE FOR ONLINE 181 SELECTING ONLIN E CONTENT 182
CD-ROM LIVES! 183 ONLINE EVOLVES 183 SUMMARY 184 CONTENTS IX 22 ISSUES
FOR WRITERS ON THE WORLD WIDE WEB 185 UNTANGLING TKE WORLD WIDE WEB 1 85
URLS AND HOME PAGES 187 THE QRAMMAR OF THE HOME PAGE 188 LAYOUT 189 WEB
JOURNALISM 192 CONTENT AUTOMATION 193 SEARCHING 194 PROACTIVE AGENTS AND
WEB SPIDERS 194 - THE WEB MARCHES ON 195 CD-ROM/WEB HYBRIDS 196 LOSING
THE READER ON THE WORLD WIDE WEB 196 THE WEB QETS PUSHY 197 SUMMARY 197
23 VERY BASICALLY, HOW DOES ALL THIS WORK? 199 1+0 = 1 200 NO QUTS, NO
QLORY 200 MEMORY 201 STORAGE DEVICES 202 COMPACT DISC FORMAT 203 DVD
FORMAT 204 USER I/O AND PERIPHERALS 205 AUDIO 206 VIDEO 207 MODEMS AND
BEYOND 208 NOTHING BUT NET 209 THE OS/BROWSER WARS 210 SUMMARY 211
GLOSSARY 213 INDEX 224
|
| any_adam_object | 1 |
| author | Bonime, Andrew Pohlmann, Ken C. 1952- |
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| author_facet | Bonime, Andrew Pohlmann, Ken C. 1952- |
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| ctrlnum | (OCoLC)832988007 (DE-599)BVBBV017028158 |
| dewey-full | 808.066006 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.066006 |
| dewey-search | 808.066006 |
| dewey-sort | 3808.066006 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Allgemeines Anglistik / Amerikanistik Literaturwissenschaft |
| format | Book |
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| indexdate | 2024-07-09T19:12:55Z |
| institution | BVB |
| isbn | 0471170305 |
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| spelling | Bonime, Andrew Verfasser aut Writing for new media the essential guide to writing for interactive media, CD-ROM's, and the web Andrew Bonime ; Ken C. Pohlmann New York u.a. Wiley 1998 X, 230 S. txt rdacontent n rdamedia nc rdacarrier Wiley books for writers Schreiben (DE-588)4116418-0 gnd rswk-swf Interaktive Medien (DE-588)4642838-0 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Interaktive Medien (DE-588)4642838-0 s Drehbuch (DE-588)4127976-1 s Schreiben (DE-588)4116418-0 s DE-604 Pohlmann, Ken C. 1952- Verfasser (DE-588)1012001288 aut GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010276483&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bonime, Andrew Pohlmann, Ken C. 1952- Writing for new media the essential guide to writing for interactive media, CD-ROM's, and the web Schreiben (DE-588)4116418-0 gnd Interaktive Medien (DE-588)4642838-0 gnd Drehbuch (DE-588)4127976-1 gnd |
| subject_GND | (DE-588)4116418-0 (DE-588)4642838-0 (DE-588)4127976-1 |
| title | Writing for new media the essential guide to writing for interactive media, CD-ROM's, and the web |
| title_auth | Writing for new media the essential guide to writing for interactive media, CD-ROM's, and the web |
| title_exact_search | Writing for new media the essential guide to writing for interactive media, CD-ROM's, and the web |
| title_full | Writing for new media the essential guide to writing for interactive media, CD-ROM's, and the web Andrew Bonime ; Ken C. Pohlmann |
| title_fullStr | Writing for new media the essential guide to writing for interactive media, CD-ROM's, and the web Andrew Bonime ; Ken C. Pohlmann |
| title_full_unstemmed | Writing for new media the essential guide to writing for interactive media, CD-ROM's, and the web Andrew Bonime ; Ken C. Pohlmann |
| title_short | Writing for new media |
| title_sort | writing for new media the essential guide to writing for interactive media cd rom s and the web |
| title_sub | the essential guide to writing for interactive media, CD-ROM's, and the web |
| topic | Schreiben (DE-588)4116418-0 gnd Interaktive Medien (DE-588)4642838-0 gnd Drehbuch (DE-588)4127976-1 gnd |
| topic_facet | Schreiben Interaktive Medien Drehbuch |
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