Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America:
The American theatrical critic Kenneth Macgowan fashioned an aesthetic defense for a new visual style of scenic design that began to appear on the American stage during the second decade of the twentieth century. Macgowan's defense for this new visual style, which he labeled the "new stage...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York [u.a.]
Lang
1996
|
Schriftenreihe: | New studies in aesthetics
20 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The American theatrical critic Kenneth Macgowan fashioned an aesthetic defense for a new visual style of scenic design that began to appear on the American stage during the second decade of the twentieth century. Macgowan's defense for this new visual style, which he labeled the "new stagecraft," was modeled after the British art critic Clive Bell's aesthetic theory of "significant form" in art Bell's formal theory of art, which favored formal abstraction over visual representation, provided Macgowan with an attractive premise upon which he could formulate his own theory of the simplified or abstracted new stagecraft style. Shaping his theory of the new stagecraft from an aesthetic theory devised for the static two-dimensioned space of the painting, Macgowan sought to apply the visual aesthetic of significant form to the four-dimensioned theatrical process The contradictions caused by the application of Bell's theory to the dynamics of scenic design reanimated the dispute between the preeminence of form or content, picture or word in the theater |
Beschreibung: | XII, 184 S. Ill. |
ISBN: | 0820423084 |
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520 | 3 | |a The American theatrical critic Kenneth Macgowan fashioned an aesthetic defense for a new visual style of scenic design that began to appear on the American stage during the second decade of the twentieth century. Macgowan's defense for this new visual style, which he labeled the "new stagecraft," was modeled after the British art critic Clive Bell's aesthetic theory of "significant form" in art | |
520 | |a Bell's formal theory of art, which favored formal abstraction over visual representation, provided Macgowan with an attractive premise upon which he could formulate his own theory of the simplified or abstracted new stagecraft style. Shaping his theory of the new stagecraft from an aesthetic theory devised for the static two-dimensioned space of the painting, Macgowan sought to apply the visual aesthetic of significant form to the four-dimensioned theatrical process | ||
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Datensatz im Suchindex
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adam_text | Thomas Alan Bloom
Kenneth Macgowan
and the Aesthetic Paradigm
for the New Stagecraft
in America
PETER LANG
New York • Washington, D C /Baltimore
Bern • Frankfurt am Main • Berlin • Vienna • Paris
Contents
Introduction ix
Illustrations 1
A New Aesthetic for a New Theatrical Movement 61
Origins: Appia and Craig 65
American Prophets of the New Stagecraft 67
Hiram Moderwell
Sheldon Cheney
Kenneth Macgowan
A Formal Theory of Art 79
The Aesthetic Theory of Significant Form 80
The Metaphysical Hypothesis 83
Form and Representation 86
Dewitt Parker
Curt John Ducasse
George Lansing Raymond
Bernard Berenson
Roger Fry
The Aesthetic Paradigm for the New Stagecraft Theory 93
Significant Form and the New Stagecraft Doctrine 94
Emotion
Form
Simplification
Representation
The Metaphysical Hypothesis for the Theater 101
The Actor and the New Stagecraft 103
A Problem of Aesthetic Significance 107
Conclusions 113
Appendix: Excerpts from the Writings of Kenneth
Macgowan on the New Stagecraft 121
Notes 157
Bibliography 171
Index 179
|
any_adam_object | 1 |
author | Bloom, Thomas Alan |
author_facet | Bloom, Thomas Alan |
author_role | aut |
author_sort | Bloom, Thomas Alan |
author_variant | t a b ta tab |
building | Verbundindex |
bvnumber | BV009900868 |
callnumber-first | P - Language and Literature |
callnumber-label | PN2266 |
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callnumber-search | PN2266.3 |
callnumber-sort | PN 42266.3 |
callnumber-subject | PN - General Literature |
ctrlnum | (OCoLC)30109094 (DE-599)BVBBV009900868 |
dewey-full | 792/.0973/0904 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792/.0973/0904 |
dewey-search | 792/.0973/0904 |
dewey-sort | 3792 3973 3904 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Geschichte 1900-2000 Geschichte 1910-1930 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1910-1930 |
format | Book |
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spelling | Bloom, Thomas Alan Verfasser aut Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America Thomas Alan Bloom New York [u.a.] Lang 1996 XII, 184 S. Ill. txt rdacontent n rdamedia nc rdacarrier New studies in aesthetics 20 The American theatrical critic Kenneth Macgowan fashioned an aesthetic defense for a new visual style of scenic design that began to appear on the American stage during the second decade of the twentieth century. Macgowan's defense for this new visual style, which he labeled the "new stagecraft," was modeled after the British art critic Clive Bell's aesthetic theory of "significant form" in art Bell's formal theory of art, which favored formal abstraction over visual representation, provided Macgowan with an attractive premise upon which he could formulate his own theory of the simplified or abstracted new stagecraft style. Shaping his theory of the new stagecraft from an aesthetic theory devised for the static two-dimensioned space of the painting, Macgowan sought to apply the visual aesthetic of significant form to the four-dimensioned theatrical process The contradictions caused by the application of Bell's theory to the dynamics of scenic design reanimated the dispute between the preeminence of form or content, picture or word in the theater Macgowan, Kenneth <1888-1963> Macgowan, Kenneth 1888-1963 (DE-588)119442965 gnd rswk-swf Geschichte 1900-2000 Geschichte 1910-1930 gnd rswk-swf Esthetica gtt Toneel gtt Geschichte Theater Ästhetik Experimental theater United States Theater United States History 20th century Experimentelles Theater (DE-588)4124890-9 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Theatertheorie (DE-588)4185056-7 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Macgowan, Kenneth 1888-1963 (DE-588)119442965 p Theater (DE-588)4059702-7 s Ästhetik (DE-588)4000626-8 s DE-604 USA (DE-588)4078704-7 g Geschichte 1910-1930 z Theatertheorie (DE-588)4185056-7 s Experimentelles Theater (DE-588)4124890-9 s New studies in aesthetics 20 (DE-604)BV000683128 20 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006557221&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Bloom, Thomas Alan Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America New studies in aesthetics Macgowan, Kenneth <1888-1963> Macgowan, Kenneth 1888-1963 (DE-588)119442965 gnd Esthetica gtt Toneel gtt Geschichte Theater Ästhetik Experimental theater United States Theater United States History 20th century Experimentelles Theater (DE-588)4124890-9 gnd Ästhetik (DE-588)4000626-8 gnd Theater (DE-588)4059702-7 gnd Theatertheorie (DE-588)4185056-7 gnd |
subject_GND | (DE-588)119442965 (DE-588)4124890-9 (DE-588)4000626-8 (DE-588)4059702-7 (DE-588)4185056-7 (DE-588)4078704-7 |
title | Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America |
title_auth | Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America |
title_exact_search | Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America |
title_full | Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America Thomas Alan Bloom |
title_fullStr | Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America Thomas Alan Bloom |
title_full_unstemmed | Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America Thomas Alan Bloom |
title_short | Kenneth Macgowan and the aesthetic paradigm for the new stagecraft in America |
title_sort | kenneth macgowan and the aesthetic paradigm for the new stagecraft in america |
topic | Macgowan, Kenneth <1888-1963> Macgowan, Kenneth 1888-1963 (DE-588)119442965 gnd Esthetica gtt Toneel gtt Geschichte Theater Ästhetik Experimental theater United States Theater United States History 20th century Experimentelles Theater (DE-588)4124890-9 gnd Ästhetik (DE-588)4000626-8 gnd Theater (DE-588)4059702-7 gnd Theatertheorie (DE-588)4185056-7 gnd |
topic_facet | Macgowan, Kenneth <1888-1963> Macgowan, Kenneth 1888-1963 Esthetica Toneel Geschichte Theater Ästhetik Experimental theater United States Theater United States History 20th century Experimentelles Theater Theatertheorie USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006557221&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV000683128 |
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