Modern Ekphrasis:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Brussels
P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales
2013
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | UER01 BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 27, 2019) |
| Beschreibung: | 1 Online-Ressource (176 Seiten) |
| ISBN: | 9783035201918 |
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| 505 | 8 | |a Modern Ekphrasis explores the analogical relations between modern poetry and painting in ekphrasis from Horace's mimetic «ut pictura poesis» tradition to Lessing's temporal/spatial antithesis, and the analogy's post-modern deconstruction with Derrida. The genesis of ekphrasis is demonstrated by close analytical readings of modern poems by Howard Nemerov, W.C. Williams, Sylvia Plath, and John Ashbery, mostly written on modern paintings by Paul Klee, Charles Demuth, Giorgio de Chirico, and Frank Stella. In an innovative approach, the author applies Anton Ehrenzweig's concept of «unconscious scanning» to a syncretic visualisation of Klee's Mountain Flora. Viewed with an undifferentiated depth vision that can fix the figure and background in a single glance, Mountain Flora acquires deeper verisimilitude. The self-reflexivity of the poems which comments on their creative processes and the interrelations of ekphrasis with cognition are analysed after the critical writings of Freud, Panowsky, Gombrich, Hagstrum, Arnheim, Steiner, Ehrenzweig, Derrida, and in the light of the latest neuroscientific discoveries. Homer's shield, Swift's tree, W.C. Williams' pot of flowers, and Ashbery's canvas create a suture within the ekphrastic poem in our imagination. This book demonstrates the evolution of literature and the humanities in our society from classicism to post-modernism which counteracted the self-alienation caused by our modern communication technology by inventing new socio-artistic circuits and new social identities | |
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Datensatz im Suchindex
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| author | Bilman, Emilie |
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| contents | Modern Ekphrasis explores the analogical relations between modern poetry and painting in ekphrasis from Horace's mimetic «ut pictura poesis» tradition to Lessing's temporal/spatial antithesis, and the analogy's post-modern deconstruction with Derrida. The genesis of ekphrasis is demonstrated by close analytical readings of modern poems by Howard Nemerov, W.C. Williams, Sylvia Plath, and John Ashbery, mostly written on modern paintings by Paul Klee, Charles Demuth, Giorgio de Chirico, and Frank Stella. In an innovative approach, the author applies Anton Ehrenzweig's concept of «unconscious scanning» to a syncretic visualisation of Klee's Mountain Flora. Viewed with an undifferentiated depth vision that can fix the figure and background in a single glance, Mountain Flora acquires deeper verisimilitude. The self-reflexivity of the poems which comments on their creative processes and the interrelations of ekphrasis with cognition are analysed after the critical writings of Freud, Panowsky, Gombrich, Hagstrum, Arnheim, Steiner, Ehrenzweig, Derrida, and in the light of the latest neuroscientific discoveries. Homer's shield, Swift's tree, W.C. Williams' pot of flowers, and Ashbery's canvas create a suture within the ekphrastic poem in our imagination. This book demonstrates the evolution of literature and the humanities in our society from classicism to post-modernism which counteracted the self-alienation caused by our modern communication technology by inventing new socio-artistic circuits and new social identities |
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| edition | 1st, New ed |
| era | Geschichte 1900-2000 gnd |
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| format | Electronic eBook |
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| index_date | 2024-07-03T15:59:05Z |
| indexdate | 2024-07-10T09:00:21Z |
| institution | BVB |
| isbn | 9783035201918 |
| language | English |
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| spelling | Bilman, Emilie Verfasser aut Modern Ekphrasis Emilie Bilman 1st, New ed Brussels P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales 2013 1 Online-Ressource (176 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 27, 2019) Modern Ekphrasis explores the analogical relations between modern poetry and painting in ekphrasis from Horace's mimetic «ut pictura poesis» tradition to Lessing's temporal/spatial antithesis, and the analogy's post-modern deconstruction with Derrida. The genesis of ekphrasis is demonstrated by close analytical readings of modern poems by Howard Nemerov, W.C. Williams, Sylvia Plath, and John Ashbery, mostly written on modern paintings by Paul Klee, Charles Demuth, Giorgio de Chirico, and Frank Stella. In an innovative approach, the author applies Anton Ehrenzweig's concept of «unconscious scanning» to a syncretic visualisation of Klee's Mountain Flora. Viewed with an undifferentiated depth vision that can fix the figure and background in a single glance, Mountain Flora acquires deeper verisimilitude. The self-reflexivity of the poems which comments on their creative processes and the interrelations of ekphrasis with cognition are analysed after the critical writings of Freud, Panowsky, Gombrich, Hagstrum, Arnheim, Steiner, Ehrenzweig, Derrida, and in the light of the latest neuroscientific discoveries. Homer's shield, Swift's tree, W.C. Williams' pot of flowers, and Ashbery's canvas create a suture within the ekphrastic poem in our imagination. This book demonstrates the evolution of literature and the humanities in our society from classicism to post-modernism which counteracted the self-alienation caused by our modern communication technology by inventing new socio-artistic circuits and new social identities Geschichte 1900-2000 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Erkenntnis (DE-588)4015286-8 gnd rswk-swf Gedächtnis (DE-588)4019614-8 gnd rswk-swf Ekphrasis (DE-588)4151667-9 gnd rswk-swf Ekphrasis (DE-588)4151667-9 s Wahrnehmung (DE-588)4064317-7 s Erkenntnis (DE-588)4015286-8 s Gedächtnis (DE-588)4019614-8 s Geschichte 1900-2000 z DE-604 Erscheint auch als Druck-Ausgabe 9783034313636 https://www.peterlang.com/view/product/46000?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bilman, Emilie Modern Ekphrasis Modern Ekphrasis explores the analogical relations between modern poetry and painting in ekphrasis from Horace's mimetic «ut pictura poesis» tradition to Lessing's temporal/spatial antithesis, and the analogy's post-modern deconstruction with Derrida. The genesis of ekphrasis is demonstrated by close analytical readings of modern poems by Howard Nemerov, W.C. Williams, Sylvia Plath, and John Ashbery, mostly written on modern paintings by Paul Klee, Charles Demuth, Giorgio de Chirico, and Frank Stella. In an innovative approach, the author applies Anton Ehrenzweig's concept of «unconscious scanning» to a syncretic visualisation of Klee's Mountain Flora. Viewed with an undifferentiated depth vision that can fix the figure and background in a single glance, Mountain Flora acquires deeper verisimilitude. The self-reflexivity of the poems which comments on their creative processes and the interrelations of ekphrasis with cognition are analysed after the critical writings of Freud, Panowsky, Gombrich, Hagstrum, Arnheim, Steiner, Ehrenzweig, Derrida, and in the light of the latest neuroscientific discoveries. Homer's shield, Swift's tree, W.C. Williams' pot of flowers, and Ashbery's canvas create a suture within the ekphrastic poem in our imagination. This book demonstrates the evolution of literature and the humanities in our society from classicism to post-modernism which counteracted the self-alienation caused by our modern communication technology by inventing new socio-artistic circuits and new social identities Wahrnehmung (DE-588)4064317-7 gnd Erkenntnis (DE-588)4015286-8 gnd Gedächtnis (DE-588)4019614-8 gnd Ekphrasis (DE-588)4151667-9 gnd |
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| title | Modern Ekphrasis |
| title_auth | Modern Ekphrasis |
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