Roger Benjamin
Roger Harold Benjamin (born 18 June 1957) is professor of Art History at the University of Sydney.Benjamin is an Australian art historian and curator who was born and raised in Canberra, where he attended the Canberra Grammar School. Moving to Melbourne, he trained in Fine Arts and Philosophy at the University of Melbourne (1975–79) before travelling to the United States for his MA (1981) and PhD (1985) at Bryn Mawr College, undertaking research in Paris. His first book and articles in French, British, and American journals focused on Matisse and the art of the Fauves (''Matisse’s "Notes of a Painter": Criticism, Theory and Context, 1891-1908'' Ann Arbor, 1987).
Benjamin moved back to Australia with his appointment as lecturer in Fine Arts at the University of Melbourne, where he taught for 14 years (1984–98). In 1995, he co-curated the travelling retrospective for the Queensland Art Gallery and, in 1997, curated ''Orientalism: Delacroix to Klee'' at the Art Gallery of New South Wales. His long-standing interest in Orientalist art culminated in ''Orientalist Aesthetics: Art, Colonialism and French North Africa, 1880-1930'' (Berkeley 2003), which received the prestigious Robert Motherwell Book Award in 2004. Benjamin's exhibition ''Renoir and Algeria'' was organised by the Sterling and Francine Clark Art Institute before travelling to Dallas and Paris, where it was reincarnated as (2003).
Benjamin moved from Melbourne to Canberra as a research fellow at the Centre for Cross-Cultural Research at ANU (1998–2001). His work on contemporary Australian art includes the exhibition (Sydney & Melbourne, 2006) and numerous writings on Tim Johnson. He has taught on Aboriginal art since 1992, and in 2009 curated ''Icons of the Desert: Early Aboriginal Painting from Papunya'' (Ithaca, New York) .
From 2003 to 2007, he was J. W. Power Professor and Director of the Power Institute at the University of Sydney, succeeding Virginia Spate. Academics whose postgraduate work Benjamin has supervised include Ian McLean, Mary Roberts, Chris McAuliffe, Charles Green, Caroline Jordan, Luke Gartlan, Natalie Adamson, and Stephen Gilchrist. Benjamin held the Australian Research Council’s DORA professorial fellowship from 2013 to 2016, resulting in his book ''Kandinsky and Klee in Tunisia'', University of California Press, 2015. His exhibition [Biskra, visions of an Oasis] was held at the , Paris, in 2016 before travelling to the in in 2017.
Benjamin was elected Fellow of the Australian Academy of the Humanities in 2006. Provided by Wikipedia
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Orientalist aesthetics : art, colonialism, and French North Africa, 1880-1930 / by Benjamin, Roger, 1957-
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Orientalist aesthetics art, colonialism, and French North Africa, 1880 - 1930 by Benjamin, Roger 1957-
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Collective goods and higher education research pasteur's quadrant in higher education by Benjamin, Roger
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La gauche, une notion incertaine le socialisme, un idéal dévoyé by Benjamin, Roger 1929-
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Jean Jaurès un philosophe humaniste et personnaliste, un socialiste réformiste et révolutionnaire by Benjamin, Roger 1929-
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"Andalusia in the time of the Moors" regret and colonial presence in Paris, 1900 by Benjamin, Roger 1957-
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Humanisme et classes sociales by Benjamin, Roger
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Ingres chez les fauves by Benjamin, Roger
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Fairness the Scylla and Charybdis of U.S.-Japan relations by Benjamin, Roger W., Yager, Loren
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Matisse's "Notes of a painter" criticism, theory, and context, 1891 - 1908 by Benjamin, Roger 1957-
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The limits of politics Collective goods and political change in postindustrial societies by Benjamin, Roger W. 1942-
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L' univers des instituteurs etude sociologique sur les instituteurs et institutrices du Département de la Seine by Berger, Ida, Benjamin, Roger 1929-
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L'esprit et ses principales facultés de la matière à la personne humaine vouée à l'union au Logos by Benjamin, Roger 1929-
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Notion de personne et personnalisme chrétien by Benjamin, Roger
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Tom Roberts and friends at the Alhambra by Benjamin, Roger 1957-, Escoriza, Emilio, Kindred, Emma
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L'oeuvre tunisien de Wassily Kandinsky au musée national d'Art moderne by Benjamin, Roger 1957-
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Colliding landscapes Dunhuang cave temples and the Tim Johnson system by Benjamin, Roger 1957-
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L' action sociale pour un changement de société by Benjamin, Roger 1929-
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Orientalist aesthetics art, colonialism, and French North Africa, 1880-1930 by Benjamin, Roger 1957-
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Colonial tutelage to nationalist affirmation Mammeri and Racim, painters of the Maghreb by Benjamin, Roger
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