Light and lens: thinking about photography in the digital age
"The latest edition of this pioneering book allows students to acquire an essential foundation for digital photography. Fully updated, it clearly and concisely covers the fundamental concepts of imagemaking, how to use digital technology to create compelling images, and how to output and preser...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge/Taylor & Francis Group
2023
|
| Ausgabe: | Fourth edition |
| Schriftenreihe: | Digital photography
A Focal press book |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The latest edition of this pioneering book allows students to acquire an essential foundation for digital photography. Fully updated, it clearly and concisely covers the fundamental concepts of imagemaking, how to use digital technology to create compelling images, and how to output and preserve images in the digital world. Exploring history, methods, and theory, this text offers classroom-tested assignments and exercises from leading photographic educators, approaches for analyzing, discussing, and writing about photographs, and tools to critically explore and make images with increased visual literacy. New to this fourth edition: Completely updated and renewed to reflect social trends and technological advances Highly reconstructed Chapter 3: Image Capture Revamped Chapter 4: Exposure and Filter Entirely new Chapter 8: Digital Studio Expanded smartphone photography coverage Numerous new innovative artists and llustrations New engaging assignments Ideal for undergraduate students of digital photography and hobbyist photographers"-- |
| Beschreibung: | xxxii, 453 Seiten Illustrationen 29 cm |
| ISBN: | 9781032005317 1032005319 9780367771935 0367771934 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049093561 | ||
| 003 | DE-604 | ||
| 005 | 20240517 | ||
| 007 | t | ||
| 008 | 230808s2023 a||| b||| 00||| eng d | ||
| 020 | |a 9781032005317 |c hbk |9 978-1-032-00531-7 | ||
| 020 | |a 1032005319 |9 1-032-00531-9 | ||
| 020 | |a 9780367771935 |c pbk |9 978-0-367-77193-5 | ||
| 020 | |a 0367771934 |9 0-36-777193-4 | ||
| 035 | |a (OCoLC)1401182383 | ||
| 035 | |a (DE-599)BVBBV049093561 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-Y3 | ||
| 100 | 1 | |a Hirsch, Robert |d 1949- |e Verfasser |0 (DE-588)135774616 |4 aut | |
| 245 | 1 | 0 | |a Light and lens |b thinking about photography in the digital age |c Robert Hirsch ; with Edward Bateman |
| 250 | |a Fourth edition | ||
| 264 | 1 | |a New York |b Routledge/Taylor & Francis Group |c 2023 | |
| 300 | |a xxxii, 453 Seiten |b Illustrationen |c 29 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Digital photography | |
| 490 | 0 | |a A Focal press book | |
| 505 | 8 | |a Preface -- Artist contributors -- 1. Why we make pictures -- 2. Design : visual foundations -- 3. Image capture : camera, lenses, and scanners -- 4. Exposure: capturing the light -- 5. Interpreting light -- 6. Observation : eyes wide open -- 7. Time, space, imagination, and the camera -- 8. Digital studio : the virtual and the material worlds -- 9. Presentation and preservation -- 10. Seeing with a camera -- 11. Solutions : thinking and writing about images -- 12. Imagemaker on assignment -- Addendum 1. Safety : protecting yourself and your digital imaging equipment -- Addendum 2. Careers | |
| 520 | 3 | |a "The latest edition of this pioneering book allows students to acquire an essential foundation for digital photography. Fully updated, it clearly and concisely covers the fundamental concepts of imagemaking, how to use digital technology to create compelling images, and how to output and preserve images in the digital world. Exploring history, methods, and theory, this text offers classroom-tested assignments and exercises from leading photographic educators, approaches for analyzing, discussing, and writing about photographs, and tools to critically explore and make images with increased visual literacy. New to this fourth edition: Completely updated and renewed to reflect social trends and technological advances Highly reconstructed Chapter 3: Image Capture Revamped Chapter 4: Exposure and Filter Entirely new Chapter 8: Digital Studio Expanded smartphone photography coverage Numerous new innovative artists and llustrations New engaging assignments Ideal for undergraduate students of digital photography and hobbyist photographers"-- | |
| 650 | 0 | 7 | |a Digitale Fotografie |0 (DE-588)4763160-0 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Photography / Digital techniques | |
| 653 | 0 | |a Photography / Digital techniques | |
| 689 | 0 | 0 | |a Digitale Fotografie |0 (DE-588)4763160-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Bateman, Edward James |4 ctb | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-17459-2 |
| 856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034355230&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Datensatz im Suchindex
| _version_ | 1805071952007659520 |
|---|---|
| adam_text |
LIGHT
AND
LENS
THINKING ABOUT
PHOTOGRAPHY
IN
THE
DIGITAL
AGE
FOURTH
EDITION
ROBERT
HIRSCH
WITH
EDWARD
BATEMAN
I~
~?IO~!~!N~S~;UP
NEW
YORK
AND LONDON
CONTENTS
PREFACE
.
XXI
ARTIST CONTRIBUTORS
.
XXIX
CHAPTER
1:
WHY WE MAKE
PICTURES
.
1
A CONCISE HISTORY
EF
VISUAL
IDEAS
.
1
NOT
JUST
PICTURES
BUT
PHOTOGRAPHS
.
2
THE GRAMMAR
EF
PHOTOGRAPHY
.
3
THE EVOLUTION
OF
PHOTOGRAPHIC
IMAGING
.
3
FULL
CIRCLE:
SOME THINGS REMAIN THE
SAME
.
4
SHAPING MEANING
.
4
BEFORE PHOTOS
HOP
.
4
COMBINATION
PRINTING 5
THE
ADVENT
OF
STRAIGHT PHOTOGRAPHY 6
THE
PICTORIALISTS 7
THE
PHOTO-SECESSIONISTS 8
STRAIGHT PHOTOGRAPHY ARRIVES 8
MODERNISTIC APPROACHES
.
8
DOCUMENTARY/PHOTOJOURNALISTIC APPROACH 8
STRAIGHT PHOTOGRAPHY AND PREVISUALIZATION 9
GROUP
F/64
AND THE
ZONE
SYSTEM 9
POSTVISUALIZATION 10
SOCIAL LANDSCAPE AND THE SNAPSHOT AESTHETIC
11
THE
ALTERNATIVE SCENE
11
THE
RISE
OF
COLOR
PHOTOGRAPHY
12
POSTMODERNISM 12
ELECTRONIC IMAGING:
NEW
VVCLYS
EF
MAKING
.
,
.
13
THE DIGITAL IMAGING TRANIFORMATION
.
13
NEW
MEDIA
.
15
QUESTIONS REGARDING PHOTO-BASED IMAGEMAKING
.
17
REFERENCES
.
.
3 0
VLL
CONTENTS
CHAPTER
2:
DESIGN:
VISUAL
FOUNDATIONS
.
33
LEARNING
TO
SEE:
COMMUNICATING WITH DESIGN
.
33
BEGINNER'S
MIND
.
3 3
THE DESIGN
PROCESS
.
3 4
THE NATURE
EF
PHOTOGRAPHY:
SUBTRACTIVE
COMPOSITION
.
34
DEPARTURE POINT
.
34
ATTENTION SPAN AND STAYING
POWER
.
3 5
PHOTOGRAPHY'S PRIVILEGE
.
36
THE LANGUAGE EFVISION
.
37
PHOTOGRAPHY'S NATIVE
CHARACTERISTICS
.
38
DESIGN PRINCIPLES
.
3 9
UNITY
AND VARIETY 39
EMPHASIS
41
SCALE AND PROPORTION
41
THE
GOLDEN MEAN:THE
RULE
OFTHIRDS 43
BALANCE
44
VISUAL ELEMENTS
.
46
LINE 48
SHAPE 48
SPACE 49
TEXTURE
52
PATTERN
52
SYMBOLISM 54
GENERAL SYMBOL CATEGORIES 54
SHAPES AND
THEIR
GENERAL SYMBOLIC ASSOCIATIONS 57
COLOR
SYMBOLISM 58
COLOR
SYMBOLS AND SOME POTENTIAL ASSOCIATIONS 58
REFERENCES
.
.
6 0
CHAPTER
3:
IMAGE
CAPTURE:
CAMERAS,
LENSES,
AND
SCANNERS
.
63
VLLL
THE CAMERA
.
63
CAMERA ANTECEDENTS 63
THE
ROLE
OF
THE CAMERA
63
WHAT
IS
A CAMERA?
.
65
HOW
A CAMERA IMAGING SYSTEM
WORKS
.
66
DIGITAL CAMERAS
.
68
DIGITAL OBSERVATIONS 68
IMAGE SENSORS:
CCD
AND
CMOS
69
COLOR
FILTER ARRAY: BAYER FILTER MOSAIC 70
PIXELS 70
IMAGE RESOLUTION
71
PPI: PIXELS PER INCH AND DIGITAL CAMERA RESOLUTION
71
DPI: DOTS PER INCH AND PRINTER RESOLUTION
71
THE
DIFFERENCES BETWEEN PPI AND DPI
71
CONTENTS
VISUAL ACUITY AND 300
DPI
72
DIGITAL CAMERA
TYPES
.
7
3
SMARTPHONE CAMERAS 73
COMPACT DIGITAL CAMERAS 73
DIGITAL SINGLE-LENS REFLEX CAMERAS 74
MIRRORLESS CAMERAS 7 6
OTHER
CAMERA
TYPES
76
CHOOSING A CAMERA
.
80
CAMERA FILE FORMATS
.
80
IMAGE COMPRESSION ALGORITHMS:
LOSSLESS
AND LOSSY 80
MAJOR IMAGE FILE FORMATS 80
JPEG
80
TIFF 82
HEIF 82
RAW
AND POST-PROCESSING 82
DNG
82
OPENING
FILES
82
THE LENS SYSTEM AND EXPOSURE
.
83
APERTURE 83
APERTURE/F-STOP, CONTROL/SHUTTER, CONTROL/EXPOSURE MODES 83
DEPTH
OF
FIELD 84
WHAT
FOCAL LENGTH ESTABLISHES 87
THE
FOCAL LENGTH RULE 87
35MM
FILM CAMERA EQUIVALENCIES 87
ANGLE OFVIEW
88
CALCULATING LENS EQUIVALENCY FOR DIGITAL SENSORS
88
TYPES
EF
LENSES
.
89
ZOOM
LENS 89
NORMAL
LENS 90
WIDE-ANGLE LENS
90
TELEPHOTO LENS 90
SPECIAL-USE LENSES
92
OPTICAL AND DIGITAL
ZOOM
92
LENS FOCAL LENGTH SCALING FACTORS FOR SMALLER SENSOR SIZES 93
FOCUSING THE IMAGE
93
AUTOFOCUS MODES
93
SHUTTERS: CAPTURING
TIME
.
.
94
ROLLING AND GLOBAL SHUTTERS 94
SHUTTER SPEED CONTROL 94
SHUTTER LAG 94
SHUTTER MODES
95
IMAGE STABILIZATION
95
DIGITAL ISO/SENSITIVITY 95
DETERMINING EXPOSURE 96
LX
CONTENTS
DIGITAL CAMERA FEATURES AND CARE
.
97
RESOLUTION AND
PRINT
SIZE 97
MEMORY
BUFFER 99
REMOVABLE CAMERA MEMORY STORAGE 99
FLASH 100
BATTERY 100
BATTERY CHOICES 102
BATTERY CARE IN
COLD
CONDITIONS 103
CAMERA, LENS, MONITOR, AND SENSOR CARE 103
PROTECTION AGAINST THE ELEMENTS 104
DIGITAL CAMERA SEFTWARE FEATURES
.
106
SOFTWARE:YOU PRESS THE BUTTON AND THE CAMERA DOES THE
REST
106
ON-CAMERA
DIGITAL DISPLAYS 107
PLAYBACK
MODE
AND HISTOGRAM 107
WHITE
~ALANCE 108
METERING MODES 109
ASPECT
RATIO
MODES 109
IMAGE ENHANCEMENT AND SCENE MODES 109
SHARPENING
MODE
110
NOISE REDUCTION
111
METADATA/EXIF
111
FIRMWARE 112
STILL CAMERA VIDEO
.
.
112
STILLS FROM VIDEO AND
ITS
EFFECTS ON PHOTOJOURNALISTS AND EVENT PHOTOGRAPHERS 113
THE
SCANNER
IS
A CAMERA
.
114
FLATBED SCANNERS 114
FILM SCANNERS 115
SCANNING GUIDELINES 115
SCANNING STEPS 116
STORING DIGITAL IMAGES
.
118
IMAGE TRANSFER 118
DIGITAL ASSET MANAGEMENT
(DAM)
118
STORAGE MEDIA FOR FINAL IMAGE
FILES
118
HARD DRIVE STORAGE 119
SOLID-STATE USB DRIVES,JUMP DRIVES, AND FLASH
MEMORY
MEDIA 119
CLOUD
STORAGE 120
LIVING IMAGES: AUTHORSHIP,
ACCESS,
AND
THE
L,,VORLD
'S
LARGEST PICTURE BOOK
.
120
CHAPTER
4:
EXPOSURE:
CAPTURING
THE
LIGHT
.
125
EXPOSURE
BASICS
.
12 5
EXPOSURE: FINDING THE BALANCE 125
SMARTPHONE CAMERAS: CONTROLLING EXPOSURE 126
RECIPROCITY
LAW
.
12 6
CAMERA LIGHT METERS
.
127
X
HOW
A LIGHT METER WORKS 127
USING A GRAY CARD 129
CONTENTS
HANDHELD METERS
.
129
REFLECTIVE AND INCIDENT LIGHT 129
AVERAGING INCIDENT AND REFLECT EXPOSURES 129
CAMERA METERING SETTINGS
.
13 0
MATRIX METERING/IN-CAMERA METERING METHODS 130
SCENE
MODE
EXPOSURES 130
EXPOSURE COMPENSATION 131
MANUALMODE
131
CAMERA METERING TECHNIQUES
.
131
METERING FOR THE SUBJECT 131
EXPOSING FOR TONAL VARIATIONS 131
USING THE CAMERA DISPLAY AND HISTOGRAMS 132
USING A HISTOGRAM TO EVALUATE EXPOSURE 132
LIGHT METERING TECHNIQUES: RESPONDING
TO
THE
LIGHT
.
.
13 3
AVERAGE DAYLIGHT 133
BRILLIANT SUNLIGHT 133
DIFFUSED LIGHT 134
DIM
LIGHT 134
UNUSUAL LIGHTING SITUATIONS
.
136
SUBJECT IN SHADOW 136
SUBJECT IN BRIGHT LIGHT 136
ZOOM
EXPOSURE 137
LONG EXPOSURES AND DIGITAL NOISE 137
HOW
A METER GETS DECEIVED
.
13 8
BRIGHTNESS RANGE 138
EXPOSING TO THE
RIGHT/RETAINING HIGHLIGHT DETAIL 139
EXPOSURE BRACKETING 139
HIGH DYNAMIC RANGE
(HDR)
IMAGING 140
ELECTRONIC FLASH AND
BASIC
FILL FLASH
.
140
RED
EYE 144
EXPOSING FOR THE COLORS
OF
LIGHT
.
147
OUR
SUN:A CONTINUOUS
WHITE
LIGHT SPECTRUM 148
COLOR
TEMPERATURE AND THE KELVIN SCALE 149
THE COLOR
OF
LIGHT 149
LED LIGHTING 150
FLUORESCENT AND OTHER GAS-FILLED LIGHTS 150
HIGH-INTENSITY DISCHARGE LAMPS/MERCURY. AND SODIUM VAPOR SOURCES
151
WHITE BALANCE: GETTING THE COLORS
RIGHT
152
WHY
A COLOR MAY
NOT
REPRODUCE CORRECTLY 153
LENS FILTERS
.
153
HOW
FILTERS WORK 153
FILTER FACTOR 154
XL
CONTENTS
ULTRAVIOLET, SKYLIGHT, AND HAZE FILTERS 154
POLARIZED LIGHT AND FILTERS 155
HOW
A POLARIZING FILTER WORKS 155
USING A POLARIZER 155
LINEAR AND CIRCULAR POLARIZERS 155
NEUTRAL DENSITY FILTERS 156
SPECIAL EFFECTS FILTERS 156
HOMEMADE
COLORED AND DIFFUSION FILTERS 156
DIGITAL FILTERS 158
CHAPTER
5:
INTERPRETING
LIGHT
.
161
XLL
NATURAL LIGHT
.
161
THE
THINGNESS
OF
LIGHT
161
GOOD
LIGHT 162
LIGHT A~D THE CAMERA 163
THE TIME
EF
DAY /TYPES
EF
LIGHT
.
164
THE
CYCLE
OFLIGHT
AND ITS BASIC CHARACTERISTICS 164
BEFORE SUNRISE 166
MORNING
166
THE
GOLDEN
HOUR
166
MIDDAY 167
AFTERNOON 167
SUNSET 167
TWILIGHT/EVENING 169
NIGHT
169
MOONLIGHT 170
THE
SEASONS 171
THE
WEATHER AND ATMOSPHERIC CONDITIONS
171
FOG AND MIST 172
RAIN
173
SNOW 174
SNOW EFFECTS 174
DUST 174
FIRE AND
HEAT
17 4
BEACH AND DESERT 17 4
ARTIFICIAL
LIGHT
.
177
ADD A LIGHT 177
THE
SIZE
OF
THE MAIN
OR
KEY LIGHT 178
THE
PLACEMENT
OF
THE LIGHT 179
CONTRAST/BRIGHTNESS
RANGE 179
BASIC LIGHTING METHODS
.
181
FRONT LIGHT 182
SIDE LIGHT 182
HIGH SIDE LIGHT 182
LOW SIDE LIGHT 182
TOP LIGHT 182
BACK LIGHT 182
UNDER
LIGHT 183
CONTENTS
LIGHTING
ACCESSORIES
AND MODIFIERS
.
18 8
BARN DOORS 188
DIFFUSER 188
GAFFER TAPE 188
GELS 188
GRID 188
REFLECTOR CARD
188
UMBRELLA 188
SEAMLESS PAPER BACKDROPS 188
SNOOT
191
STUDIO STROBES
191
REFERENCES
.
194
CHAPTER
6:
OBSERVATION:
EYES
WIDE OPEN
.
197
HOW
WE
SEE
.
197
LITERACY 197
LEARNING TO LOOK 197
THE
DIFFERENCE BETWEEN ARTISTIC AND SCIENTIFIC METHODS 199
VISUAL LITERACY AND DECISION MAKING 200
MY
WE
MAKE AND RESPOND
TO
SPECIFIC
IMAGES
.
202
VICTOR LOWENFELD'S RESEARCH 202
VISUAL-REALISTS
AS
IMAGEMAKERS 202
VISUAL-REALIST PHOTOGRAPHIC WORKING METHODS 202
HAPTIC-EXPRESSIONIST IMAGEMAKERS 203
HAPTIC-EXPRESSIONIST PHOTOGRAPHIC WORKING METHODS 204
THE EFFECTS
EF
DIGITAL
IMAGING
.
206
PHOTOGRAPHY'S EFFECT ON THE ARTS 206
PUSHING YOUR BOUNDARIES 207
AESTHETIC KEYS FOR COLOR AND COMPOSITION
.
208
THE
COLOR
KEY 208
THE
COMPOSITION
KEY
208
RECOGNIZING THE
KEYS
210
FIGURE-GROUND RELATIONSHIPS
.
210
THE
IMPORTANCE
OF
FIGURE-GROUND RELATIONSHIPS
211
CHAPTER
7:
TIME,
SPACE,
IMAGINATION,
AND
THE
CAMERA
. 215
IN
SEARCH
EFTIME
.
215
THE
PERCEPTION
EFTIME
.
216
CONTROLLING CAMERA TIME
.
.
218
XM
CONTENTS
EXPLORING SHUTTER SPEEDS:THE DECISIVE
MOMENT
218
EXTENDING THE ACTION/DECONSTRUCTING THE DECISIVE
MOMENT
219
STOPPING THE ACTION 219
SMARTPHONE CAMERAS: CONTROLLING SHUTTER SPEEDS 222
STOPPING ACTION WITH ELECTRONIC FLASH 223
BLUR AND OUT-OF-FOCUS IMAGES 223
MOTION
BLUR FILTERS 223
LENSBABY: BOKEH/SELECTIVE FOCUS 224
PAN CAPTURE 224
EQUIPMENT
MOVEMENT 226
FREE-FORM CAMERA MOVEMENT 227
FLASH AND SLOW SHUTTER SPEED 228
EXTENDED TIME EXPOSURES 229
DRAWING WITH LIGHT 229
PROJECTION 230
MULTIPLE IMAGES 230
SANDWICHING/ OVERLAPPING TRANSPARENCIES 233
REPHOTOGRAPHY 233
POST DOCUMENTARY APPROACH 235
POST-CAMERA VISUALIZATION 237
SEQUENCES 237
USING A GRID 238
MANY
MAKE
ONE
240
CONTACT SHEET SEQUENCE
241
JOINERS
241
SLICES
OFTIME
242
PHOTOMONTAGE AND
COMPOUND
IMAGES 242
PHOTOGRAPHIC COLLAGE 243
THREE-DIMENSIONAL IMAGES: PHYSICAL AND VIRTUAL 244
IMAGE-BASED INSTALLATIONS 246
PUBLIC
ART
246
SOCIAL MEDIA AND POST-INTERNET PRACTICES 249
RECOMPOSING REALITY 250
ANIMATION
.
.
2 51
REFERENCES
.
.
2 51
CHAPTER
8:
DIGITAL
STUDIO:
THE
VIRTUAL
AND
THE
MATERIAL
WORLDS
. 255
XLV
RESOLVE
TO
BE
BETTER
.
.
255
MEGAPIXELS AND CAMERAS 255
MEGABYTES AND DATA STORAGE 257
CAMERA FILES:JPEG
VS
RAW
.
257
JPEG
FILES 258
RAW
FORMAT FILES 258
PIXELS
PER
INCH
AND
RESOLUTION
.
259
CONTENTS
DOTS
PER
INCH
AND PRINTING
.
259
COLOR AND
THE
COMPUTER
.
.
2 60
COMPARING 8-BIT AND 16-BIT MODES 262
ORGANIZING
COLORS:
RGB,
HSBIHSL,
LAB,
AND
CMYK
.
2 63
HOW
COMPUTERS REPRESENT AND ENCODE COLORS 263
COLOR
AND SCREENS/DISPLAYS 266
LIGHTING
IN
THE WORK SPACE 267
WHAT COLOR
IS
THAT NUMBER?
.
268
WORKING SPACE 268
MONITOR
PROFILES:WHATYOU SEE
IS
WHAT
YOU GET (WYSIWYG) 270
PRINTER PROFILES: MATCHING SCREENS TO PRINTS 270
'THE
DIGITAL STUDIO
.
270
THE
COMPUTER
AS
WORKSPACE 271
RAM
271
HARD DISKS: MECHANICAL AND SOLID STATE 272
SCREEN SIZE 272
SOFTWARE AND IMAGING APPLICATIONS
.
272
BASIC
EDITING
TOOLS
.
273
HISTOGRAM 273
COLOR
274
TONALITY
27
4
LOCAL CONTRAST AND TEXTURES 275
CREATING VIVID
OR
SUBTLE COLORS 276
OTHERTOOLS 276
FILTERS AND PLUG-INS 277
THE
POWER
EF
CROPPING
.
278
SCALING YOUR IMAGE 279
ARTIFICIAL INTELLIGENCE UPSCALING 280
SAVING:
PROTECTING
YOUR
JIT0RK
.
2 81
PRINTING: MAKING
YOUR
IMAGES
TANGIBLE
.
283
MAKING YOUR MARK 283
CONTINUOUS TONE PRINTING 283
TRADITIONAL HALFTONE PRINTING 284
STOCHASTIC OR FM HALFTONE SCREENED PRINTS 284
INKJET PRINTERS
285
PAPERS
COMMUNICATE
.
2 8 6
PAPER
SUIFACES
.
2
87
GLOSSY PAPERS 287
MATTE PAPERS 287
SEMIGLOSS, LUSTER, AND PEARL 287
PAPER SIZES, THICKNESS, AND WEIGHTS 287
WHAT
IS
IN
PAPER? 288
PAPER COATINGS 288
PRINTING: GETTING IT DOWN
ON
PAPER
.
289
XV
AFTER PRINTING 290
SERVICE BUREAUS 290
MURAL-SIZED PRINTS 290
CONTENTS
UNUSUAL PRINTING MATERIALS: MIXING MEDIA 290
BEST
OF
BOTH WORLDS 292
CHAPTER
9:
PRESENTATION
AND
PRESERVATION
.
297
XVI
DIGITAL RETOUCHING AND REPAIR
.
297
ARCHIVAL PRESENTATION
.
297
PRESENTATION MATERIALS 297
MAT
BOARD SELECTION 297
WINDOW
MAT
298
DRY
AND WET
MOUNTING
303
THE
DRY-MOUNTING
PROCESS 304
COLD
_MOUNTING 305
FLOATING A PRINT 306
FRAMES 306
UNUSUAL FRAMES AND PRESENTATIONS 306
PORTFOLIOS 306
BOOKS: PRINT
ON
DEMAND
307
IMAGES
ON
A SCREEN: WEB SHARING 308
WEBSITE DESIGN 309
FACTORS
AFFECTING PRINT
PRESERVATION
.
311
FACTORS AFFECTING
PRINT
STABILITY 311
COLOR
PRINT LIFE SPAN 313
PRINT DISPLAY ENVIRONMENT 314
STORAGE ENVIRONMENT 314
DIGITAL ARCHIVES
.
315
LONG-TERM STORAGE AND MIGRATING DIGITAL ARCHIVES 315
TRANSFERRING FILM-BASED IMAGES TO A DIGITAL FORMAT 315
DIGITAL ASSET MANAGEMENT (DAM): POST-PRODUCTION SOFTWARE 315
DIGITAL PRINT STABILITY 316
DYE-BASED INKS 316
PIGMENTED INKS 316
PRINTING MEDIA 318
PROTECTING PIGMENT PRINTS 318
CAMERA COPY WORK 319
LENS SELECTION: MACRO LENS/MODE 319
COPY
LIGHTING 320
EXPOSURE 321
GETTING YOUR WORK
OUT
THERE 321
MARKETING 322
SHIPPING 322
COPYRIGHT OFYOUR
OWN
WORK 322
CONTENTS
CHAPTER
10:
SEEING
WITH
A
CAMERA
.
327
THE FRAMING EFFECT: VIEWPOINT
.
327
SEEING DYNAMICALLY 327
WORKING METHODS 328
EFFECTIVELY USING ANGLES OFVIEW 329
SELECTIVE
FOCUS
.
332
CONTRAST
.
333
COMPLEMENTARY COLORS 333
WARM AND
COOL
COLORS 335
CREATING COLOR CONTRAST 335
DOMINANT
COLOR
.
337
BE STRAIGHTFORWARD 337
SUSTAINING COMPELLING COMPOSITION 337
HARMONIC
COLOR
.
339
EFFECTIVE HARMONY 339
ISOLATED COLOR
.
.
3 41
CHANCE FAVORS THE PREPARED
MIND
342
MONOCHROME AND MINIMALIST IMAGES
.
342
THE
PERSONAL NATURE
OF
MONOCHROME 342
MINIMALIST
OR
LESS
IS
MORE
APPROACH 343
COLOR CONTAMINATION 343
AERIAL PERSPECTIVE 344
PERSPECTIVE
.
346
ESSENTIAL METHODS
OF
PERSPECTIVE CONTROL 346
CONVERGING LINES 347
SUBDUED
COLOR
.
348
OPERATIONAL PROCEDURES 348
HIGHLIGHTS AND SHADOWS
.
350
ATTRACTION AND REPULSION
.
3 51
SURMOUNTING PRECONCEPTIONS 351
COUNTERPOINTS AND OPPOSITES
.
3 51
CHAPTER
11:
SOLUTIONS:
THINKING
AND
WRITING
ABOUT
LMAGES
. 355
THE CREATIVE
PROCESS
AND
CONCRETE
ACTION
.
355
THINKING STRUCTURE: A
PROCESS
FOR DISCOVERY AND
PROBLEM
SOLVING
.
3 5 6
A THINKING
MODEL
.
358
STAGE 1:THINKINGTIME 358
GETTING IDEAS 358
CHALLENGING FEAR/PURSUING DESIRE .360
SOURCE NOTEBOOK AND JOURNAL KEEPING 362
THE
SUCCESS GAME 362
STAGE
2:
SEARCH
FOR
FORM 362
THE
POSSIBILITY SCALE 362
QUIET
TIME 363
XVLL
CONTENTS
STAGE 3: DEFINITION AND APPROACH 364
STAGE
4:
BRINGING IT TOGETHER 365
STAGE
5:
OPERATIONS REVIEW 366
STAGE
6:
EVALUATION 366
THE PHOTOGRAPH
AS
A MATRIX
.
3
68
SIZE
MATTERS
.
3
69
COMMUNICATING CULTURAL KNOWLEDGE
.
3
69
THE IMAGE EXPERIENCE:
PHOTOGRAPHIC
MEANING
IS
CHANGEABLE
.
371
WRITING ABOUT
IMAGES
.
3
7
3
WRITING
AN ARTIST'S STATEMENT 375
WRITING
AN ARTIST RESUME 375
WRITING
AN ARTIST CURRICULUM VITAE 377
WRITING
AN ARTIST'S BIOGRAPHY 378
ESSENTIALS
EF
IMAGE
DISCUSSION
.
3
7
8
JOHN CAGE'S RULES
.
380
REFERENCES
.
3
81
CHAPTER
12: LMAGEMAKER
ON
ASSIGNMENT
.
383
XVM
MAKING PORTRAITS: WHO
AM
I AND WHO ARE
YOU?
.
383
SELF-PORTRAIT RESEARCH 383
SELF-PORTRAITS 384
PORTRAIT
OF
ANOTHER PERSON 385
ENVIRONMENTAL PORTRAIT 385
FAUXTOGRAPHY: PHOTOGRAPHY'S SUBJECTIVE NATURE
.
387
TRUTHINESS AND WIKIALITY 388
PICTURING SOCIAL IDENTITY
.
3
89
DEPICTING
COMMUNITY
CUSTOMS 390
WHO
CAN
REPRESENT US?
391
INTERIOR EXPERIENCE:THE
SIGNIFICANCE
EF
DAILY LIFE
.
392
PHILOSOPHICAL BELIEF: OPTIMISM, PESSIMISM, AND EXISTENTIALISM 394
PSYCHOLOGICAL DRAMA 394
SOCIAL ISSUES 394
FABRICATION FOR
THE
CAMERA:
DIRECTORIAL
MODE
.
3
97
THE
SOCIAL LANDSCAPE 397
STILL LIFE
.
401
STILL-LIFE DELIBERATIONS
401
THE
HUMAN
FORM
.
404
THE
SCREEN:
ANOTHER
PICTURE
REALITY
.
406
ALTERNATIVE APPROACHES 408
TEXT AND IMAGES
.
.
408
ARTISTS' BOOKS AND ALBUMS
.
414
SELF-ASSIGNMENT: CREATION AND EVALUATION
.
417
EVALUATION
GUIDE-BEFORE
MAKING IMAGES 418
GUIDE TO
EVALUATION-AFTER
PHOTOGRAPHING 419
CONTENTS
ADDENDUM 1
SAFETY:
PROTECTING
YOURSELF
AND
YOUR
DIGITAL IMAGING EQUIPMENT . 421
ERGONOMIC WORKSTATIONS
.
421
MONITOR EMISSIONS:
ELF/VLF
.
421
EYESTRAIN
.
421
PROPER
POSTURE/LOWER
BACK
PROBLEMS
.
421
CARPAL TUNNEL SYNDROME
.
422
TAKING BREAKS
.
422
NEUTRAL BODY POSITIONING
.
422
CHANGE
YOUR
WORKING POSITION
.
.
4 2 4
ADDENDUM 2
CAREERS
.
427
THE WORKING
PHOTOGRAPHER
.
427
RELATED OCCUPATIONS 430
FIND A MENTOR
.
.
4 31
GETTING STARTED
.
433
REFERENCES
.
4 3 3
INDEX
.
435
DOUGLAS BUSCH'S INTERACTIVE PHOTOGRAPHIC COLLAGE SCROLL OFFERS A
SPRAWLING VISUAL HISTORY
OF
EUROPEAN JEWISH LIFE FROM THE
RISE
OF
ANTISEMTISM IN THE 1930S, TO THE IMPLEMENTATION
OF
THE FINAL SOLUTION THROUGH THE LIBERATION
OF
THE CONCENTRATION CAMPS.
BETWEEN
1933
AND
1945,
NAZI GERMANY AND ITS ALLIES ESTABLISHED
MORE
THAN
44,000
CAMPS AND OTHER INCARCERATION SITES (INCLUDING GHETTOS). THE
PERPETRATORS USED THESE SITES
FOR
A RANGE
OF
PURPOSES, INCLUDING FORCED LABOR, DETENTION
OF
PEOPLE CONSIDERED TO BE ENEMIES
OF
THE STATE,
AND
FOR MASS INDUSTRIALIZED MURDER. IMPRISONED
AND
EXTERMINATED GROUPS INCLUDED JEWS, HOMELESS PEOPLE, HOMOSEXUAL MEN,
JEHOVAH'S
WITNESSES, ROMA, POLITICAL PRISONERS, AND POWS
AMONG
OTHERS. BUSCH'S TEXT READS: "I SPENT MY TIME HERE
OUT
OF
THE NOTICE OF HISTORY .
AS
MY SOUL CRIED
FOR
THE LADDER TO HEAVEN."
CREDIT: DOUGLAS BUSCH. DARKNESS INTO LIGHT,
FROM
THE PROJECT BREAKING THE
BONDS
OF
BIGOTRY
AND
IGNORANCE,
2022.
18
INCHES X
888
FEET.
PIGMENT ON
TYVEK
SET
IN
30
X
48
INCH WALNUT
WOOD
HOUSING.
XIX |
| adam_txt | |
| any_adam_object | 1 |
| any_adam_object_boolean | |
| author | Hirsch, Robert 1949- |
| author2 | Bateman, Edward James |
| author2_role | ctb |
| author2_variant | e j b ej ejb |
| author_GND | (DE-588)135774616 |
| author_facet | Hirsch, Robert 1949- Bateman, Edward James |
| author_role | aut |
| author_sort | Hirsch, Robert 1949- |
| author_variant | r h rh |
| building | Verbundindex |
| bvnumber | BV049093561 |
| contents | Preface -- Artist contributors -- 1. Why we make pictures -- 2. Design : visual foundations -- 3. Image capture : camera, lenses, and scanners -- 4. Exposure: capturing the light -- 5. Interpreting light -- 6. Observation : eyes wide open -- 7. Time, space, imagination, and the camera -- 8. Digital studio : the virtual and the material worlds -- 9. Presentation and preservation -- 10. Seeing with a camera -- 11. Solutions : thinking and writing about images -- 12. Imagemaker on assignment -- Addendum 1. Safety : protecting yourself and your digital imaging equipment -- Addendum 2. Careers |
| ctrlnum | (OCoLC)1401182383 (DE-599)BVBBV049093561 |
| edition | Fourth edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049093561</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240517</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230808s2023 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032005317</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-032-00531-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1032005319</subfield><subfield code="9">1-032-00531-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367771935</subfield><subfield code="c">pbk</subfield><subfield code="9">978-0-367-77193-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0367771934</subfield><subfield code="9">0-36-777193-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1401182383</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049093561</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hirsch, Robert</subfield><subfield code="d">1949-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)135774616</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Light and lens</subfield><subfield code="b">thinking about photography in the digital age</subfield><subfield code="c">Robert Hirsch ; with Edward Bateman</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Fourth edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Routledge/Taylor & Francis Group</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxxii, 453 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">29 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Digital photography</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">A Focal press book</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Preface -- Artist contributors -- 1. Why we make pictures -- 2. Design : visual foundations -- 3. Image capture : camera, lenses, and scanners -- 4. Exposure: capturing the light -- 5. Interpreting light -- 6. Observation : eyes wide open -- 7. Time, space, imagination, and the camera -- 8. Digital studio : the virtual and the material worlds -- 9. Presentation and preservation -- 10. Seeing with a camera -- 11. Solutions : thinking and writing about images -- 12. Imagemaker on assignment -- Addendum 1. Safety : protecting yourself and your digital imaging equipment -- Addendum 2. Careers</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The latest edition of this pioneering book allows students to acquire an essential foundation for digital photography. Fully updated, it clearly and concisely covers the fundamental concepts of imagemaking, how to use digital technology to create compelling images, and how to output and preserve images in the digital world. Exploring history, methods, and theory, this text offers classroom-tested assignments and exercises from leading photographic educators, approaches for analyzing, discussing, and writing about photographs, and tools to critically explore and make images with increased visual literacy. New to this fourth edition: Completely updated and renewed to reflect social trends and technological advances Highly reconstructed Chapter 3: Image Capture Revamped Chapter 4: Exposure and Filter Entirely new Chapter 8: Digital Studio Expanded smartphone photography coverage Numerous new innovative artists and llustrations New engaging assignments Ideal for undergraduate students of digital photography and hobbyist photographers"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Digitale Fotografie</subfield><subfield code="0">(DE-588)4763160-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography / Digital techniques</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography / Digital techniques</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Digitale Fotografie</subfield><subfield code="0">(DE-588)4763160-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bateman, Edward James</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-003-17459-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034355230&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield></record></collection> |
| id | DE-604.BV049093561 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:30:30Z |
| indexdate | 2024-07-20T04:45:59Z |
| institution | BVB |
| isbn | 9781032005317 1032005319 9780367771935 0367771934 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034355230 |
| oclc_num | 1401182383 |
| open_access_boolean | |
| owner | DE-255 DE-Y3 |
| owner_facet | DE-255 DE-Y3 |
| physical | xxxii, 453 Seiten Illustrationen 29 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Routledge/Taylor & Francis Group |
| record_format | marc |
| series2 | Digital photography A Focal press book |
| spelling | Hirsch, Robert 1949- Verfasser (DE-588)135774616 aut Light and lens thinking about photography in the digital age Robert Hirsch ; with Edward Bateman Fourth edition New York Routledge/Taylor & Francis Group 2023 xxxii, 453 Seiten Illustrationen 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Digital photography A Focal press book Preface -- Artist contributors -- 1. Why we make pictures -- 2. Design : visual foundations -- 3. Image capture : camera, lenses, and scanners -- 4. Exposure: capturing the light -- 5. Interpreting light -- 6. Observation : eyes wide open -- 7. Time, space, imagination, and the camera -- 8. Digital studio : the virtual and the material worlds -- 9. Presentation and preservation -- 10. Seeing with a camera -- 11. Solutions : thinking and writing about images -- 12. Imagemaker on assignment -- Addendum 1. Safety : protecting yourself and your digital imaging equipment -- Addendum 2. Careers "The latest edition of this pioneering book allows students to acquire an essential foundation for digital photography. Fully updated, it clearly and concisely covers the fundamental concepts of imagemaking, how to use digital technology to create compelling images, and how to output and preserve images in the digital world. Exploring history, methods, and theory, this text offers classroom-tested assignments and exercises from leading photographic educators, approaches for analyzing, discussing, and writing about photographs, and tools to critically explore and make images with increased visual literacy. New to this fourth edition: Completely updated and renewed to reflect social trends and technological advances Highly reconstructed Chapter 3: Image Capture Revamped Chapter 4: Exposure and Filter Entirely new Chapter 8: Digital Studio Expanded smartphone photography coverage Numerous new innovative artists and llustrations New engaging assignments Ideal for undergraduate students of digital photography and hobbyist photographers"-- Digitale Fotografie (DE-588)4763160-0 gnd rswk-swf Photography / Digital techniques Digitale Fotografie (DE-588)4763160-0 s DE-604 Bateman, Edward James ctb Erscheint auch als Online-Ausgabe 978-1-003-17459-2 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034355230&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hirsch, Robert 1949- Light and lens thinking about photography in the digital age Preface -- Artist contributors -- 1. Why we make pictures -- 2. Design : visual foundations -- 3. Image capture : camera, lenses, and scanners -- 4. Exposure: capturing the light -- 5. Interpreting light -- 6. Observation : eyes wide open -- 7. Time, space, imagination, and the camera -- 8. Digital studio : the virtual and the material worlds -- 9. Presentation and preservation -- 10. Seeing with a camera -- 11. Solutions : thinking and writing about images -- 12. Imagemaker on assignment -- Addendum 1. Safety : protecting yourself and your digital imaging equipment -- Addendum 2. Careers Digitale Fotografie (DE-588)4763160-0 gnd |
| subject_GND | (DE-588)4763160-0 |
| title | Light and lens thinking about photography in the digital age |
| title_auth | Light and lens thinking about photography in the digital age |
| title_exact_search | Light and lens thinking about photography in the digital age |
| title_exact_search_txtP | Light and lens thinking about photography in the digital age |
| title_full | Light and lens thinking about photography in the digital age Robert Hirsch ; with Edward Bateman |
| title_fullStr | Light and lens thinking about photography in the digital age Robert Hirsch ; with Edward Bateman |
| title_full_unstemmed | Light and lens thinking about photography in the digital age Robert Hirsch ; with Edward Bateman |
| title_short | Light and lens |
| title_sort | light and lens thinking about photography in the digital age |
| title_sub | thinking about photography in the digital age |
| topic | Digitale Fotografie (DE-588)4763160-0 gnd |
| topic_facet | Digitale Fotografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034355230&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hirschrobert lightandlensthinkingaboutphotographyinthedigitalage AT batemanedwardjames lightandlensthinkingaboutphotographyinthedigitalage |