Shooting movies without shooting yourself in the foot: becoming a cinematographer
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Waltham, Mass.
Focal Press
c2012
|
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | xvi, 349 p. ill. (some col.) |
Internformat
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| 245 | 1 | 0 | |a Shooting movies without shooting yourself in the foot |b becoming a cinematographer |c Jack Anderson |
| 264 | 1 | |a Waltham, Mass. |b Focal Press |c c2012 | |
| 300 | |a xvi, 349 p. |b ill. (some col.) | ||
| 336 | |b txt |2 rdacontent | ||
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| 505 | 8 | |a What is a director of photography? -- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before -- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film -- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel -- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes | |
| 650 | 4 | |a Cinematography | |
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Datensatz im Suchindex
| _version_ | 1809222740567130112 |
|---|---|
| adam_text | |
| adam_txt | |
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| author | Anderson, Jack 1945- |
| author_facet | Anderson, Jack 1945- |
| author_role | aut |
| author_sort | Anderson, Jack 1945- |
| author_variant | j a ja |
| building | Verbundindex |
| bvnumber | BV048667968 |
| collection | ZDB-30-PAD |
| contents | What is a director of photography? -- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before -- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film -- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel -- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes |
| ctrlnum | (ZDB-30-PQE)EBC767258 (ZDB-30-PAD)EBC767258 (ZDB-89-EBL)EBL767258 (ZDB-38-EBR)ebr10501117 (OCoLC)753480158 (DE-599)BVBBV048667968 |
| dewey-full | 777 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 777 - Cinematography and videography |
| dewey-raw | 777 |
| dewey-search | 777 |
| dewey-sort | 3777 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Electronic eBook |
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| id | DE-604.BV048667968 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:22:30Z |
| indexdate | 2024-09-04T00:21:00Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034042558 |
| oclc_num | 753480158 |
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| owner_facet | DE-255 DE-Y3 |
| physical | xvi, 349 p. ill. (some col.) |
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| publishDate | 2012 |
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| publisher | Focal Press |
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| spelling | Anderson, Jack 1945- Verfasser aut Shooting movies without shooting yourself in the foot becoming a cinematographer Jack Anderson Waltham, Mass. Focal Press c2012 xvi, 349 p. ill. (some col.) txt rdacontent c rdamedia cr rdacarrier What is a director of photography? -- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before -- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film -- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel -- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes Cinematography |
| spellingShingle | Anderson, Jack 1945- Shooting movies without shooting yourself in the foot becoming a cinematographer What is a director of photography? -- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before -- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film -- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel -- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes Cinematography |
| title | Shooting movies without shooting yourself in the foot becoming a cinematographer |
| title_auth | Shooting movies without shooting yourself in the foot becoming a cinematographer |
| title_exact_search | Shooting movies without shooting yourself in the foot becoming a cinematographer |
| title_exact_search_txtP | Shooting movies without shooting yourself in the foot becoming a cinematographer |
| title_full | Shooting movies without shooting yourself in the foot becoming a cinematographer Jack Anderson |
| title_fullStr | Shooting movies without shooting yourself in the foot becoming a cinematographer Jack Anderson |
| title_full_unstemmed | Shooting movies without shooting yourself in the foot becoming a cinematographer Jack Anderson |
| title_short | Shooting movies without shooting yourself in the foot |
| title_sort | shooting movies without shooting yourself in the foot becoming a cinematographer |
| title_sub | becoming a cinematographer |
| topic | Cinematography |
| topic_facet | Cinematography |
| work_keys_str_mv | AT andersonjack shootingmovieswithoutshootingyourselfinthefootbecomingacinematographer |