Modern African American poets: from Hughes to Parker
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2019
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | xii, 244 Seiten 22 cm |
| ISBN: | 152751952X 9781527519527 |
Staff View
MARC
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Record in the Search Index
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| adam_text | Table of Contents
Preface.....................................................ix
Acknowledgements..........................................xiii
Chapter One..................................................1
Race Relations as Expressed through the Ballad, the Sonnet
and the Blues
Chapter Two.................................................55
Poetry of Protest
Chapter Three...............................................89
Roscoe C. Jamison: A Voice Unheard
Chapter Four...............................................105
Has the American Society Fallen Apart? A Study of Fracture,
Violence and Sexual Hanger in Some Poems of Ai’s Cruelty
Chapter Five...............................................127
African-Americans’/ Affrilachians’ Suffering Mirrored:
How Do Nikky Finney’s “Red Velvet” and “Left” Capture
Events from the Past in Order to Reshape the Present?
Chapter Six................................................147
The Evolution of Jazz and Blues as Cultural Kernels Expressing
Racial Iniquity in Komunyakaa’s Copacetic
Chapter Seven..............................................175
A Reading in the Poetry of Afro-German May Ayim from Dual
Inheritance Theory Perspective: The Impact of Audre Lorde
on May Ayim
Table of Contents
viu
Chapter Eight..............................................213
What Does Morgan Parker’s Beyonce Add to the Image of Black
Women? A Study of Some Poems from There Are More Beautiful
Things Than Beyonce
References.................................................227
Index
243
This book consists of eight chapters covering poets from the Harlem
Renaissance until the present day. It considers the Harlem Renaissance
poets Hughes and Cullen from new perspectives, with regards to two
psychological types: self-acceptance and self-dejection. The first two
chapters discuss Hughes’ and Cullen’s expression of race relations and the
way they protest. Chapter three on Roscoe C. Jamison represents unheard
voices, while the fourth chapter, focusing on Ai, analyzes multi-ethnic
roots and dissects American society, highlighting the reasons for violence
and sexual hunger. Chapter five on Nikky Finney, a representative of
Affrilachian poetry and a political activist, focuses on different social and
political issues. Chapters six and seven discuss the application of Dual
Inheritance Theory on African American and Afro-German poetry.
Chapter eight tackles the ongoing effort of redefining black womanhood,
with specific emphasis on Morgan Parker.
|
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1920-2010 gnd |
| era_facet | Geschichte 1920-2010 |
| format | Book |
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| title | Modern African American poets from Hughes to Parker |
| title_auth | Modern African American poets from Hughes to Parker |
| title_exact_search | Modern African American poets from Hughes to Parker |
| title_full | Modern African American poets from Hughes to Parker by Yasser K.R. Aman |
| title_fullStr | Modern African American poets from Hughes to Parker by Yasser K.R. Aman |
| title_full_unstemmed | Modern African American poets from Hughes to Parker by Yasser K.R. Aman |
| title_short | Modern African American poets |
| title_sort | modern african american poets from hughes to parker |
| title_sub | from Hughes to Parker |
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| topic_facet | Lyrik Schwarze USA |
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