Musical humor and Antonín Dvořák's comic operas:
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| Schriftenreihe: | Eastern European studies in musicology
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| adam_text | Bibliography Abbate, Carolyn. In Search of Opera. Princeton: Princeton University Press, 2001. Abbate, Carolyn and Roger Parker. A History of Opera. New York: W. Norton Co., 2012. Agawu, Kofi. Playing with Signs: A Semiotic Interpretation of Classic Music. New Jersey: Princeton University Press, 1991. Agnew, Hugh. The Czechs and the Lands of the Bohemian Crown. Stanford CA: Hoover Institution Press, 2004. Allanbrook, Wye Jamison. Rhythmic Gesture in Mozart, Le Nozze di Figaro and Don Giovanni. Chicago: The University of Chicago, 1983. Antonin Dvořák - Comprehensive Information Source on the Composer, http:// www.antonin-Dvořák.cz/en. Aspden, Suzanne. “Opera and National Identity.” In The Cambridge Companion of Opera Studies, edited by Nicholas Till, 276-97, Cambridge: Cambridge University Press, 2012. Bažant, Jan and Nina Bažantova and Frances Stern (eds.). The Czech Reader: History, Culture, Politics. Durham NC: Duke University Press, 2010. Beckerman, Michael, ed. Dvořák and His World. Princeton: Princeton University Press, 1993. Beckerman, Michael B. New Worlds of Dvořák: Searching in America for the Composer’s Inner Life. New York: Norton, 2003. Bennett, Joseph. “The Music of Anton Dvořák.” The Musical Times and Singing Class Circular 22 (May 1881): 236-39. “Bernard Güldener, Curriculum Vitae.” Accessed April 15, 2016: http://www. databaseknih.cz/zivotopis/bernard-guldener-81780. Bernstein, Leonard. “Humor in Music.” Young People’s Concerts. Last modified in 2009. Accessed November 5,2015: http://www.leonardbernstein.com/ypc_sc ript_humor_in_music.htm. Beveridge, David,
ed. Rethinking Dvořák: Views from Five Countries. New York: Oxford University Press, 1996. Beveridge, David. “Word and Music in the Works of Dvořák: A Neglected Treasure Trove.” Lecture and Concert, Dvořák American Heritage Association, New York, October 18,2015. Beveridge, David. “A Digest of Words and Music of King and Collier, First Setting.” Forthcoming.
370 Bibliography Beveridge, David. “Comparison of 1871 and 1874 Settings [King and Collier]’’ Forthcoming. Beveridge, David. “An Opera Reincarnated: Dvorak’s Second Setting oí King and Collier” Forthcoming. Beveridge, David. “In, Around, and Beyond the New German Style: Works from ca. 1868 through mid-1871 and Related Events.” Forthcoming. Beveridge, David. “The Reception of Dvorak’s Operas in America - A Social, Political, and Aesthetic Odyssey.” Dvořák in America, 1892-1895, ed. John Tibbetts. Portland, Oregon: Amadeus Press, 1993. Bevis, Matthew. Comedy: A Very Short Introduction. Oxford: Oxford University Press: 2013. Bianchi, Raffaella and Bezen Balamir Coşkum. “Opera Across Boarders: The Construction of Italian and Turkish National Identities.” Anglistica 13 (2009): 59-70. Böhme, Franz Magnus. Geschichte des Tanzes in Deutschland. Leipzig: Breitkopf and Härtel, 1886. Botstein, Leon. “Reversing the Critical Tradition: Innovation, Modernity, and Ideology in the Work and Career of Antonín Dvořák.” In Dvořák and His World, ed. Μ. Beckerman, 11-54. Princeton: Princeton University Press, 1993. Bowen, Christopher. “The Cultural Context of Čert a Káča.” Panel presentation, 19th Biennial International Nineteenth-Century Music Conference, University of Oxford, UK, July 11,2016. ----------. “We Shall Remain Faithful: The Vlllahe Mode in Czech Opera, 18661928.” PhD diss., University of North Carolina at Chapel Hill. Forthcoming. Branda, Eva. “An ‘Execution’ at the Hofoper.” Paper presented at the 2013 Annual Convention of the Association for the Slavic, Eastern European and
Eurasian Studies, Boston MA, November 21-24,2013. Brodenová, Lida. Notes on Dvořáks Opera Jacobin. Judith Fiehler, ed. Washington D.C.: K. Maier, 1989. Brodbeck, David. “Dvorak’s Reception in Liberal Vienna: Language Ordinances, National Property, and the Rhetoric of Deutschtum.” Journal of the American Musicological Society 60 (2007): 71-132. ---------- . Defining Deutschtum: Political Ideology, German Identity and Music Critical Discourse in Liberal Vienna. Oxford: Oxford University Press, 2014. Bruner, Jerome S. and Leo Postman. “On the Perception of Incongruity: A Paradigm.” Journal of Personality 18 (1949):206-223. Burchenal, Elizabeth and Emman Howells Burchanel. Folk-dances from the Old Homelands. New York: Schirmer, 1922.
Bibliography 371 Burghauser, Jarmil. Antonín Dvořák: Thematic Catalogue: Survey of Life and Work. Praha: Bärenreiter Editio Supraphon, 1996. Burghauser, Jarmil. “Hudebnědramatické dílo Antonína Dvořáka.” In Antonín Dvořák ֊ Dramatik, edited by Jitka Brabcová and Jarmil Burghauser, 9-21. Praha: Divadelní ústav, 1994. Burghauser, Jarmil. Král a Uhlíř: Kritické vydání připravil. Praha: Státní Nakladatekství Krásně Literatury, Hudby a Umění, 1957. Burton, Deborah. “Orfeo, Osmin and Otello: Towards a Theory of Opera Analysis.”Studi Musicali 33.2 (2004): 359-85. Burton, Deborah, Susan Vandiver Nicassio, and Agostino Ziino (eds.). Toscas Prism: Three Moments of Western Cultural History. Boston: Northeastern University Press, 2004. Campana, Alessandra. “Genre and Poetics.” In The Cambridge Companion of Opera Studies, edited by Nicholas Till, 202-24. Cambridge: Cambridge University Press, 2012. Cate, Phillip Dennis and Mary Shaw, eds. The Spirit of Montmartre - Cabarets, Humor, and the Avant-Garde, 1875-1905. New Brunswick NJ: The State University of New Jersey, 1996. Černušák, Grácián, Andrew Lamb and John Tyrrell. “Polka.” Grove Music Online. Oxford University Press. Accessed June 3, 2016: http://www.oxford musiconline.com.ezproxy.bu.edu/subscriber/article/grove/music/22020 . Clapham, John. “The National Origins of Dvorak’s Art.” In Proceedings of the Royal Musical Association, 89th Session. 75-88. United Kingdom: Taylor and Francis, 1963. ---------- . “Dvorak’s Relations with Brahms and Hanslick.” The Musical Quarterly 57 (1971): 241-54. Clapham, John and Elisabeth Wenzke.
“Dvorak’s Augstieg zum Komponisten von internationalem Rang Einige neue Entdeckungen.” Die Musikforschung 30 (1977): 47-55. Colles, H. C. “Antonín Dvořák. I. Opera at Home.” The Musical Times 82 (April 1941): 130-33, 140-160. Cornwall, Mark. 1994. “The Struggle on the Czech-German Language Border, 1880-1940.” The English Historical Review 109: 914-51. Corrigan, Robert Willoughby. “Comedy and the Comic Spirit.” Comedy, Meaning, and Form. San Francisco: Chandler Publishing Company, 1965. Cowgill, Rachel, David Cooper, Clive Brown, and Julian Rushton (eds). Art and Ideology in European Opera: Essays in Honour of Julian Rushton. Rochester NY: Boydell Press, 2010.
372 Bibliography Cwach, Michael. “Bagpipes in the Blata Region of Bohemia.” MM Thesis, The University of South Dakota, 2007. www.hotpipes.com/Cwach.mp3. Czerwinski, Albert. Brevier des Tanzkunst. Leipzig: J. ƒ. Weber, 1962. Dance Fantasy Productions. European Folk Dances. US: Earth Dance International Publishing Co., 1990. Della Seta, Fabrizio. Not Without Madness: Perspectives on Opera. Translated by Mark Weir. Chicago: The University of Chicago Press, 2013. Dewey, John. Art as Experience. New York: Minton, Balch, 1934. Downes, Stephen. “Kujiawiak.” In Grove Music Online. (Oxford Music Online). Oxford University Press. Accessed March 5, 2016: www.oxfordmusiconline. com.ezproxy.be.edu/subscriber/article/grove/music/15651. Dvořák, Antonin. Selma Sedlák. (The Cunning Peasant). (Select original manu script pages from the Czech Museum of Music). --------- . Der Bauer ein Schelm. (The Cunning Peasant), 1877. Berlin: N. Simrock, 1882. (Piano/vocal score, in two acts). --------- . Der Bauer ein Schelm. (The Cunning Peasant), 1877. Berlin: N. Simrock, 1930. (Piano/vocal score, in two acts). ---------- . Selma Sedlák. (The Cunning Peasant), 1877. Prague: Dilia, not dated. Arranged for conductor Bohumil Gregor for 1954/55 season performance. (Full score manuscript in three acts). --------- . Čert a Káča (The Devil and Kate), 1899. Prague: Dilia, 2003. (Full and piano/vocal scores). --------- . Král a uhlíř (The King and the Charcoal Burner), 1871. Conductor Score from the 1929 National Theatre Production in Prague. --------- . Král a uhlíř (The King and the Charcoal Burner), Act
III, 1874. Conductor Score at the National Theatre Archives in Prague. --------- . Král a uhlíř (The King and the Charcoal Burner), 1874. Autograph Score at the Czech Museum of Music. --------- . Král a uhlíř ( The King and the Charcoal Burner), 1887. Piano/vocal score manuscript arranged by Bohumil Štětka, at the Czech Museum of Music. --------- . Král a uhlíř (The King and the Charcoal Burner), 1887. Praha: Hudební Matice Umělecké Besedy, Vydání II, 1929. (Piano/vocal score). ---------- . Jakobin (The Jacobin), 1888/1897. Prag: Artia, (Full score, critical edi tion based on composer’s manuscript). — — —. Jakobin (The Jacobin), 1897. Antonín Čubr and Karel Šolc, eds. Prague: Souborné vydání díla, 1966. (Full score, final version)
Bibliography 373 ---------- . Jakobin (The Jacobin), 1888. Germany: Dilia Prag and Alkor-Edition Kassel, 1959 (Piano.vocal score). --------- . Král a uhlíř {The King and the Charcoal Burner), 1887. Hudební Archiv, Majetek divadle, Kral mesta Plzné, 1911. (Full score manuscript at the Pilsen Theatre). --------- . Tvrdé Palice (The Stubborn Lovers), 1874. Prague: Divadelní a Literárni Jedna Archiv, not dated. (Full score manuscript at the National Theatre Prague). --------- . Tvrdé Palice (The Stubborn Lovers), 1874. Prague: Dilia, 1956. (Piano/ vocal score). --------- Čert a Káča (The Devil and Kate), op. 12. Rec. 1981. Brno Janáček Opera Chorus and Orchestra. Cond. Jiří Pinkas. 2 CD set. Liner notes by Milan Pospíšil. Supraphon Records. --------- Král a uhlíř (The King and the Charcoal Burner), op. 14. Rec. 1989. Prague National Theatre Chorus and Orchestra. Cond. Josef Chaloupka. 2 CD set. Liner notes by Milan Pospíšil. Jiří Berkovec. Translation © Supraphon 1993. ---------- Šelma Sedlák (The Cunning Peasant), op. 37. Rec. 12 November, 1985 to 22 September, 1986. Prague Radio Chorus and Prague Radio Symphony Orchestra. Cond. František Vajnar. 2 CD set. Liner notes by Milan Pospíšil. Supraphon Records. ---------- . Tvrdé palice (The Stubborn Lovers), op. 17. Rec. 2004. Brno Prague Philharmonia. Cond. Jiří Bělohlávek. Supraphon Records. Emslie, Barry. “The Domestication of Opera.” Cambridge Opera Journal 5 (1993): 167-77. Epstein, David. Beyond Orpheus. Cambridge: MIT Press, 1979. Ertman, Thomas. “Opera: State and Society.” In The Cambridge Companion of Opera Studies, edited
by Nicholas Till, 25-52. Cambridge: Cambridge University Press, 2012. Everett, William A. “Opera and National Identity in Nineteenth-Century Croatian and Czech Lands.” International Review of the Aesthetics and Sociology of Music 35 (2004): 63-69. Fischmann, Zdenka E. Essays on Czech Music. New York: Columbia University Press, 2002. Freud, Sigmund. Wit and its Relation to the Unconscious. Translated by A. A. Brill. New York: Dover Publications, 1993. Gabrielová, Jarmila. Antonín Dvořák: The New Complete Edition (incomplete). Accessed January 5, 2014: http://www.antoninDvořák.org/.
УМ Bibliography Gabrielsson, Alf. “Emotions in Strong Experiences with Music.” In Series in Effective Science: Music and Emotion Theory and Research, edited by P.N. Justin and J.A. Sloboda, 431-449. Garlington, Aubrey. “August Wilhelm von Schlegel and the German Romantic Opera.” Journal of the American Musicological Society 30 (1977): 500-06. Gilbert, Henry. “Humor in Music.” The Musical Quarterly 12 (Jan. 1926): 40-55. Groos, Arthur, and Roger Parker, eds. Reading Opera. Princeton: Princeton University Press, 1988. Grüneberg, R. “Humor in Music.” Philosophy and Phenomenological Research 30.1 (1969): 122-25. Harova, Iva. “Předehry ke komickým operám Antonína Dvořáka.” In Antonín Dvořák - Dramatik, edited by Jitka Brabcová and Jarmil Burghauser, 51-63. Praha: Divadelní ústav, 1994. Helfert, Vladimír. Česká Moderní Hudba: Studie o české hudební tvořivosti. Praha: Vytiskl Melantrich, 1937. Henke, Robert. Performance Literature in the Commedia delľArte. Cambridge: Cambridge University Press, 2002. Hershowitz, Aaron. “The Essential Ambiguity of, and in Humour.” It’s a Funny Thing, Humour. Oxford UK: Pergamon Press, 1977:139-142. Hillgrove, Thomas. Call-Book and Dancing Master. New York: Dick and Fitzgerald, 1868. Horowitz, Joseph. Classical Music in America-A History. New York: Norton, 2007. Howes, Frank. “The National and Folk Elements.” In Antonin Dvořák, His Achievements, edited by Viktor Fischi, 241-255. London: L. Drumond, 1943 Hull, Helen K. .“A Study of Humor in Music.” The American Journal ofPsychology 4 (Oct., 1949): 560-566. Hunter, Mary. “Nobility in Mozart’s Operas.”
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Bibliography 377 Marvin, Roberta Montemorra and Downing A. Thomas. Operatic Migrations Transforming Works and Crossing Boundaries. Burlington VT: Ashgate, 2006. Meagher, Jennifer.“Commedia dell’arte.” Metropolitan Museum of Art. Accessed November 27, 2015: http://www.metmuseum.org/toah/hd/comm/hd_c omm.htm. Meter, Leonard B. Emotion and Meaning in Music. Chicago: University of Chicago Press, 1956. Mull, Helen K. “A Study in Humor in Music,” American Journal ofPsychology 62 (1949): 560-66. Národní-divadlo (website). “Opera.” https://www.narodni-divadlo.cz/en/rep ertoire. Nattiez, Jean-Jacques. Music and Discourse: Toward a Semiology of Music. Translated by Carolyn Abbate. Princeton: Princeton University Press, 1990. Neubauer, John. The Emancipation of Music from Language. New Haven: Yale University Press, 1986. Newmarch, Rosa. The Music of Czechoslovakia. New York and London: Oxford University Press, 1942. Nicoll, Allardyce. The World of Harlequin: A Critical Study of the Commedia dell’Arte. Cambridge: Cambridge University Press, 1963. Noske, Frits. The Signifier and the Signified: Studies in the Operas of Mozart and Verdi. The Hague: Nijhoff, 1977. Peacock, Ronald. The Art of Drama. Westport CT: Greenwood Press, 1974. Pfister, Manfred. The Theory and Analysis ofDrama. Translated by John Halliday. Cambridge: Cambridge University Press, 1988. Plantinga, Leon. “Dvořák and the Meaning of Nationalism in Music.” In Rethinking Dvořák, edited by David R. Beveridge, 117-23. Oxford: Clarendon Press, 1996. Popíšil, Milan “Balada v české opeře 19. storletí,” Hudební věda xvi. Praha:
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378 Bibliography Robinson, Paul. Opera and Ideas: From Mozart to Strauss. New York: Harper Collins, 1985. — — — . “A Deconstructive Postscript: Reading Libretti and Misreading Opera.” In Reading Opera, edited by Arthur Gross and Roger Parker, 328-46. Princeton: Princeton University Press, 1988. Rosen, Charles. The Romantic Generation (The Charles Eliot Norton Lectures ). Cambridge MA: Harvard University Press, 1998. Rudiin, John. Commedia dell’Arte, An Actors Handbook. London: Routledge, 1994. Schimmerling, Hans Aldo. Folk Dance Music of the Slavic Nations. New York: Associated Music Publishers, Inc.,1951. Schmuckler, Mark A. Expectation in Music: Investigation of Melodic and Harmonic Processesi’ Music Perception 7 (189): 109-50. Schneider, Otto. Tanz Lexikon. Mainz: Schott, 1985. Shane Arts Commedia Stock Characters (website), www.shane-arts.com/ commedia-stock-characters.htm. Silk, Michael S. Aristophanes and the Definition of Comedy. Oxford: Oxford University Press, 2000. “Slapstick.” In Encyclopedia Britannica Online. Accessed March 21, 2016: www. britannicacom/art/slapstick-comedy. Sloboda, John A. “Empirical Studies of Emotional Response to Music.” In Cognitive Bases of Communication, edited by M.R. Jones and S. Holleran, 3350. Washington DC: American Psychological Association, 1992. Smaczny, Jan. “A Study of the First Six Operas of Antonin Dvořák: Ihe Foundations of an Operatic Style.” PhD diss., University of Oxford, 1990. — — — “Daily Repertoire of the Provisional Theatre Opera in Prague, Chronological List.” Miscellanea Musicologica 34. Praha: Univerzita Karlova,
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Index of Names A Abbate, Carolyn 38 Agawu, Kofi 42 Aristotle 30 Auber, Daniel 100 В Baron Villani 271 Bartoš, František 246 Beaumarchais, Pierre-Augustin 182 Beckerman, Michael 23,282, 245,275 Bendi, Karel 58,179,180 Berkovec, Jiří 47 Bernstein, Leonard 33,34 Beveridge, David 23,24,49, 143, 344 Blodek, Wilhelm 179 Bohm, Henry Hanus 204 Botstein, Leon 23,275 Brabcová, Jitca 357 Bradová, Ludmila 182,271 Branda, Eva 23,180,204,205 Brodbeck, David 23,180 Bruner, Jerome S. 29,147 Brunswick, Egon 29 Burhauser, Jarmil 357 C Carlsen, J.C. 34 Čech, Adolf 101 Černušák, Grácián 157 Červinková-Riegrová, Marie 245 Chaplin, Charlie 27,28 Clapham, John 168,187 Corrigan, Robert 28, 30-32 D Da Ponte, Lorenzo 205 Dewey, John 35 Donizetti, Gaetano 100 Dvořák, Antonin 21-25,27,28, 36-40,42, 43, 47-50, 52, 53, 57, 58, 62, 67, 68, 71-73, 75, 76, 80, 82, 83, 88, 91, 92, 94, 98-102,104, 107,109,115-117,119-122,125, 126, 128,129,131,132, 135,137, 138, 140-143, 145-150, 152,153, 155-159,161,165,168, 170,171, 175, 176,178-183, 186, 187,189, 190, 194, 195,197,198, 202, 205, 206, 208, 209, 212, 214-216, 220, 221,224, 226-228, 230, 232, 235, 236, 238, 239, 241-243, 245, 248, 249, 251, 252, 254, 257, 261,262, 264-266, 268, 269, 271, 272, 274279, 282, 285, 289-291, 293, 294, 297, 301, 307, 309-314, 316, 319, 323, 325, 328, 329, 341, 343, 344, 346, 348, 351, 352, 354, 355, 357359, 363, 365 E Ellis Little, Meredith 261 F Fibich, Zdeněk 48, 58,179,180 Fine, Larry 28 G Gabrielsson, Alf 42 Gilbert, Henry E 27,29,31,34,41 Gottlieb, Barbara 50
382 Index of Names Gregor, Bohumil 180 Greif, Emanuel 271 Güldener, Bernard (Lobeský, B.J.) 22, 37,47-50, 68, 73, 94,101, 102,121,128,138,141, 236 H Hanslick, Eduard 180 Hershkowitz, Aaron 27 Holleran, S. 34 Horová, Iva 24 Horowitz, Joseph 23 Howard, Curly 28 Howard, Moe 28 Howard, Shemp 28 Hřímaly, Vojtěch 58,180 Huron, David 32, 33, 91,239 J Janáček, Brno 58,180, 343 Janáček, Leoš 58,180, 343 Jones, M.R. 34 К King Matthias of Bohemia 50,128 Klánová-Panznerová, Marie 279 Komenský, Jan Amos 119 Kovarovic, Karel 48 Kuna, Milan 24,182, 271 Kundera, Milan 271 Kysela, František 187 L Lamb, Andrew 157 Lawson, Joan 109,110 Levitt, Paul 34-36,40 Locke, Brian 24 Lockwood, Alan 50 Lortzing, Albert 102,142 Μ Marie Antoinette 30, 245,279 Mathauser, Josef 103 Meyer, Leonard B. 34 Mozart, W.A. 100,148,182,205 Mull, Helen 34,39,40 N Němcová, Božena 271,274 Nicoll, Allardyce 94 Novotný, Václav Juda 22, 37,48, 50, 101,102, 109,121,126, 128,138, 139,141-143 Nový, Miroslav 182, 271 P Parker, Roger 38 Peacock, Ronald 32, 205 Pfister, Manfred 28-30, 33, 36, 37, 41, 88, 205, 206 Pospšil, Milan 24,182 Postman, Leo 29,147 Princes Jaromir and Oldrich (Přemyslíd dynasty) 50 R Rameau, Jean-Philippe 39 Rauch, Molly 50 Rieger, František Ladislav 245,256 Robinson, Paul 148 Rossini, Gioachino 100 Rudiin, John 87, 88,90 S Sabina, Karel 179 Schimmerling, H.A. 67,139,168, 187,193,195 Schmuckler, Μ. A. 34 Settari, Olga 119
Index of Names Simrock, Fritz 180,193 Slavíková, Jitka 182,271 Sloboda, ƒ.A. 34 Smaczny, Jan 23,24,48, 58,98,99, 101,102,117, 142,147,179,181, 182,245,275 Smejkalová, Hana 288 Smetana, Bedřich 21,24,47,48,58, 101,102,120,142,179-182, 243 Štěpán, Václav 100,179 Štolba, Josef 145,156,181,182 Strauss, Richard 39,148 T Trávníčková, Markéta 100,179 ։ i 383 Tyl, Josef Kajetán 58,179 Tyrrell, John 23, 58,157,180,181, 187,245,246,275, 289 V Veselý, Josef Otakar 179,182,183, 204 W Wagner, Richard 49,101,275 Warner, Μ. Μ. 119 Weber, William 43 Welker-Hood, Kristen 50 Wenig, Adolf 271,272,287 0¿y«l!:xt֊;? S StaatsoibHothvk i
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“Dvorak’s Augstieg zum Komponisten von internationalem Rang Einige neue Entdeckungen.” Die Musikforschung 30 (1977): 47-55. Colles, H. C. “Antonín Dvořák. I. Opera at Home.” The Musical Times 82 (April 1941): 130-33, 140-160. Cornwall, Mark. 1994. “The Struggle on the Czech-German Language Border, 1880-1940.” The English Historical Review 109: 914-51. Corrigan, Robert Willoughby. “Comedy and the Comic Spirit.” Comedy, Meaning, and Form. San Francisco: Chandler Publishing Company, 1965. Cowgill, Rachel, David Cooper, Clive Brown, and Julian Rushton (eds). Art and Ideology in European Opera: Essays in Honour of Julian Rushton. Rochester NY: Boydell Press, 2010.
372 Bibliography Cwach, Michael. “Bagpipes in the Blata Region of Bohemia.” MM Thesis, The University of South Dakota, 2007. www.hotpipes.com/Cwach.mp3. Czerwinski, Albert. Brevier des Tanzkunst. Leipzig: J. ƒ. Weber, 1962. Dance Fantasy Productions. European Folk Dances. US: Earth Dance International Publishing Co., 1990. Della Seta, Fabrizio. Not Without Madness: Perspectives on Opera. Translated by Mark Weir. Chicago: The University of Chicago Press, 2013. Dewey, John. Art as Experience. New York: Minton, Balch, 1934. Downes, Stephen. “Kujiawiak.” In Grove Music Online. (Oxford Music Online). Oxford University Press. Accessed March 5, 2016: www.oxfordmusiconline. com.ezproxy.be.edu/subscriber/article/grove/music/15651. Dvořák, Antonin. Selma Sedlák. (The Cunning Peasant). (Select original manu script pages from the Czech Museum of Music). --------- . Der Bauer ein Schelm. (The Cunning Peasant), 1877. Berlin: N. Simrock, 1882. (Piano/vocal score, in two acts). --------- . Der Bauer ein Schelm. (The Cunning Peasant), 1877. Berlin: N. Simrock, 1930. (Piano/vocal score, in two acts). ---------- . Selma Sedlák. (The Cunning Peasant), 1877. Prague: Dilia, not dated. Arranged for conductor Bohumil Gregor for 1954/55 season performance. (Full score manuscript in three acts). --------- . Čert a Káča (The Devil and Kate), 1899. Prague: Dilia, 2003. (Full and piano/vocal scores). --------- . Král a uhlíř (The King and the Charcoal Burner), 1871. Conductor Score from the 1929 National Theatre Production in Prague. --------- . Král a uhlíř (The King and the Charcoal Burner), Act
III, 1874. Conductor Score at the National Theatre Archives in Prague. --------- . Král a uhlíř (The King and the Charcoal Burner), 1874. Autograph Score at the Czech Museum of Music. --------- . Král a uhlíř ( The King and the Charcoal Burner), 1887. Piano/vocal score manuscript arranged by Bohumil Štětka, at the Czech Museum of Music. --------- . Král a uhlíř (The King and the Charcoal Burner), 1887. Praha: Hudební Matice Umělecké Besedy, Vydání II, 1929. (Piano/vocal score). ---------- . Jakobin (The Jacobin), 1888/1897. Prag: Artia, (Full score, critical edi tion based on composer’s manuscript). — — —. Jakobin (The Jacobin), 1897. Antonín Čubr and Karel Šolc, eds. Prague: Souborné vydání díla, 1966. (Full score, final version)
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376 Bibliography Krueger, Rita. Czech, German, and Noble: Status and National Identity in Habsburg Bohemia. New York: Oxford University Press, 2009. Kuiper, Kathleen, ed. Poetry and Drama: Literary Terms and Concepts. New York: Britannica Educational Publishing, 2012. Kuna, Milan. “Ke zrůdo Dvořákova Jakobina.” Hudební véda xix. Praha: Academia, 1982: 245-268. Kuna, Milan. “Od Matšiny pisne к Dvořáku Jakobinu,” Hudební věda xxi. Praha: Academia, 1984:32-68. Kuna, Milan, and Ludmila Bradová, Miroslav Nový, Jitka Slavíková, eds. Antonín Dvořák: Korespondence a dokumenty, Vols. 1-10. Praha: Editio Supraphon, 1996. La Rue, Jan. Guidelines for Style Analysis. New York: W. W. Norton Co., 1970. Lampert, Vera. Folk Music in Bartok’s Compositions: A Source Catalog for Arab, Hungarian, Romanian, Ruthenian, Serbian, and Slovak Melodies. Budapest: Hungarian Heritage House, 2008. Lawson, Joan. European Folk Dance, Its National Music. London: Isaac Pitman Sons, 1953. Levitt, Paul Μ. A Structural Approach to the Analysis of Drama. The Hague, Netherlands: Mouton Co., 1971. Lindenberger, Herbert. Opera in History: From Monteverdi to Cage. Stanford: Stanford University Press, 1998. ----------- . Situating Opera: Period, Genre, Reception. Cambridge: Cambridge University Press, 2010. Locke, Brian S. Opera and Ideology in Prague. Rochester NY: University of Rochester Press, 2006. Lockwood, Alan, and Kristen Welker-Hood, Molly Rauch, and Barbara Gottlieb. “Coal’s Assault on Human Health.” Physicians for Social Responsibility Report (November 2009): Chapters 3-5. Lockwood, Lewis. Opera:
Perspectives on Music and Drama.” Materials com piled for course on Opera, Harvard University, 1996. Marki, Jaroslava. Nejstarší Sbírky Českých Lidových Písní. Praha: Editio Supraphon, 1987. Martin, Nicholas Ivor. “The Jacobin - Jakobin.” In The Opera Manual. New York: The Scarecrow Press, 2014. --------- .“The Devil and Kate - Čert a Káča.’Tn The Opera Manual. New York: The Scarecrow Press, 2014.
Bibliography 377 Marvin, Roberta Montemorra and Downing A. Thomas. Operatic Migrations Transforming Works and Crossing Boundaries. Burlington VT: Ashgate, 2006. Meagher, Jennifer.“Commedia dell’arte.” Metropolitan Museum of Art. Accessed November 27, 2015: http://www.metmuseum.org/toah/hd/comm/hd_c omm.htm. Meter, Leonard B. Emotion and Meaning in Music. Chicago: University of Chicago Press, 1956. Mull, Helen K. “A Study in Humor in Music,” American Journal ofPsychology 62 (1949): 560-66. Národní-divadlo (website). “Opera.” https://www.narodni-divadlo.cz/en/rep ertoire. Nattiez, Jean-Jacques. Music and Discourse: Toward a Semiology of Music. Translated by Carolyn Abbate. Princeton: Princeton University Press, 1990. Neubauer, John. The Emancipation of Music from Language. New Haven: Yale University Press, 1986. Newmarch, Rosa. The Music of Czechoslovakia. New York and London: Oxford University Press, 1942. Nicoll, Allardyce. The World of Harlequin: A Critical Study of the Commedia dell’Arte. Cambridge: Cambridge University Press, 1963. Noske, Frits. The Signifier and the Signified: Studies in the Operas of Mozart and Verdi. The Hague: Nijhoff, 1977. Peacock, Ronald. The Art of Drama. Westport CT: Greenwood Press, 1974. Pfister, Manfred. The Theory and Analysis ofDrama. Translated by John Halliday. Cambridge: Cambridge University Press, 1988. Plantinga, Leon. “Dvořák and the Meaning of Nationalism in Music.” In Rethinking Dvořák, edited by David R. Beveridge, 117-23. Oxford: Clarendon Press, 1996. Popíšil, Milan “Balada v české opeře 19. storletí,” Hudební věda xvi. Praha:
Academia, 1979: 3-25. Popíšil Milan. “Its Music,” The Musical Times 120, No. 1631. UK: Musical Times Publications Ltd., 1979:24-25. Potts, L. J. Comedy. London: Hutchinson, 1966. Ratner, Leonard G. Classic Music: Expression, Form, and Style. New York: Schirmer, 1980. Robertson, Alec. Dvořák: The Great Composers Series. Edited by Eric Blom and J.A. Westup. New York, NY: Collier Books, 1943.
378 Bibliography Robinson, Paul. Opera and Ideas: From Mozart to Strauss. New York: Harper Collins, 1985. — — — . “A Deconstructive Postscript: Reading Libretti and Misreading Opera.” In Reading Opera, edited by Arthur Gross and Roger Parker, 328-46. Princeton: Princeton University Press, 1988. Rosen, Charles. The Romantic Generation (The Charles Eliot Norton Lectures'). Cambridge MA: Harvard University Press, 1998. Rudiin, John. Commedia dell’Arte, An Actors Handbook. London: Routledge, 1994. Schimmerling, Hans Aldo. Folk Dance Music of the Slavic Nations. New York: Associated Music Publishers, Inc.,1951. Schmuckler, Mark A. "Expectation in Music: Investigation of Melodic and Harmonic Processesi’ Music Perception 7 (189): 109-50. Schneider, Otto. Tanz Lexikon. Mainz: Schott, 1985. Shane Arts Commedia Stock Characters (website), www.shane-arts.com/ commedia-stock-characters.htm. Silk, Michael S. Aristophanes and the Definition of Comedy. Oxford: Oxford University Press, 2000. “Slapstick.” In Encyclopedia Britannica Online. Accessed March 21, 2016: www. britannicacom/art/slapstick-comedy. Sloboda, John A. “Empirical Studies of Emotional Response to Music.” In Cognitive Bases of Communication, edited by M.R. Jones and S. Holleran, 3350. Washington DC: American Psychological Association, 1992. Smaczny, Jan. “A Study of the First Six Operas of Antonin Dvořák: Ihe Foundations of an Operatic Style.” PhD diss., University of Oxford, 1990. — — — “Daily Repertoire of the Provisional Theatre Opera in Prague, Chronological List.” Miscellanea Musicologica 34. Praha: Univerzita Karlova,
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380 Bibliography — — —. “Skočná.” Grove Music Online. (Oxford Music Online). Oxford University Press. Accessed October 28, 2016: www.oxfordmusiconline.com. ezproxy.bu.edu/subscriber/article.grove/music/43852. ---------- . “Sousedská.” Grove Music Online. (Oxford Music Online). Oxford University Press. Accessed October 28, 2016: www.oxfordmusiconline.com. ezproxy.bu.edu/subscriber/article.grove/music/43853. ---------- . “Švanda and His Successors: The Bagpiper and His Music in Czech Opera.” Paper presented at the Smetana Centennial: International Conference, San Diego, March 29-31,1989. Unyk, A. Μ. and ƒ. C. Carlson. “The Influence of Expectancy in Melodic Perception.” Psychomusicology 7 (1987): 3-23. “Vacláv Juda Novotný.” Accessed April 5, 2016: http://oxfordindex.oup.com/ view/10.1093/gmo/9781561592630.article.20154. Vrbka, Tomáš. A History of the Theater in Pictures and Dates, Opera 1888-2003. Translation by David Beveridge. Praha: Státní opera Praha Slovart, 2004. Waldoff, Jessica. Recognition in Mozarts Operas. Oxford and New York: Oxford University Press, 2006. Weber, William. “Mass Culture and the Reshaping of European Musical Taste.” International Review ofAesthetics and Sociology of Music 8 (1977): 5-22. White, Harry and Michael Murphy, eds. Musical Constructions of Nationalism. Cork, Ireland: Cork University Press, 2014. Williams, Raymond. Drama in Performance. London: Frederick Muller Ltd., 1954. Winn, James Anderson. Unsuspected Eloquence: A History of the Relations between Poetry and Music. New Haven: Yale University Press, 1981. Zeiss, Laurel E. “The
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Index of Names A Abbate, Carolyn 38 Agawu, Kofi 42 Aristotle 30 Auber, Daniel 100 В Baron Villani 271 Bartoš, František 246 Beaumarchais, Pierre-Augustin 182 Beckerman, Michael 23,282, 245,275 Bendi, Karel 58,179,180 Berkovec, Jiří 47 Bernstein, Leonard 33,34 Beveridge, David 23,24,49, 143, 344 Blodek, Wilhelm 179 Bohm, Henry Hanus 204 Botstein, Leon 23,275 Brabcová, Jitca 357 Bradová, Ludmila 182,271 Branda, Eva 23,180,204,205 Brodbeck, David 23,180 Bruner, Jerome S. 29,147 Brunswick, Egon 29 Burhauser, Jarmil 357 C Carlsen, J.C. 34 Čech, Adolf 101 Černušák, Grácián 157 Červinková-Riegrová, Marie 245 Chaplin, Charlie 27,28 Clapham, John 168,187 Corrigan, Robert 28, 30-32 D Da Ponte, Lorenzo 205 Dewey, John 35 Donizetti, Gaetano 100 Dvořák, Antonin 21-25,27,28, 36-40,42, 43, 47-50, 52, 53, 57, 58, 62, 67, 68, 71-73, 75, 76, 80, 82, 83, 88, 91, 92, 94, 98-102,104, 107,109,115-117,119-122,125, 126, 128,129,131,132, 135,137, 138, 140-143, 145-150, 152,153, 155-159,161,165,168, 170,171, 175, 176,178-183, 186, 187,189, 190, 194, 195,197,198, 202, 205, 206, 208, 209, 212, 214-216, 220, 221,224, 226-228, 230, 232, 235, 236, 238, 239, 241-243, 245, 248, 249, 251, 252, 254, 257, 261,262, 264-266, 268, 269, 271, 272, 274279, 282, 285, 289-291, 293, 294, 297, 301, 307, 309-314, 316, 319, 323, 325, 328, 329, 341, 343, 344, 346, 348, 351, 352, 354, 355, 357359, 363, 365 E Ellis Little, Meredith 261 F Fibich, Zdeněk 48, 58,179,180 Fine, Larry 28 G Gabrielsson, Alf 42 Gilbert, Henry E 27,29,31,34,41 Gottlieb, Barbara 50
382 Index of Names Gregor, Bohumil 180 Greif, Emanuel 271 Güldener, Bernard (Lobeský, B.J.) 22, 37,47-50, 68, 73, 94,101, 102,121,128,138,141, 236 H Hanslick, Eduard 180 Hershkowitz, Aaron 27 Holleran, S. 34 Horová, Iva 24 Horowitz, Joseph 23 Howard, Curly 28 Howard, Moe 28 Howard, Shemp 28 Hřímaly, Vojtěch 58,180 Huron, David 32, 33, 91,239 J Janáček, Brno 58,180, 343 Janáček, Leoš 58,180, 343 Jones, M.R. 34 К King Matthias of Bohemia 50,128 Klánová-Panznerová, Marie 279 Komenský, Jan Amos 119 Kovarovic, Karel 48 Kuna, Milan 24,182, 271 Kundera, Milan 271 Kysela, František 187 L Lamb, Andrew 157 Lawson, Joan 109,110 Levitt, Paul 34-36,40 Locke, Brian 24 Lockwood, Alan 50 Lortzing, Albert 102,142 Μ Marie Antoinette 30, 245,279 Mathauser, Josef 103 Meyer, Leonard B. 34 Mozart, W.A. 100,148,182,205 Mull, Helen 34,39,40 N Němcová, Božena 271,274 Nicoll, Allardyce 94 Novotný, Václav Juda 22, 37,48, 50, 101,102, 109,121,126, 128,138, 139,141-143 Nový, Miroslav 182, 271 P Parker, Roger 38 Peacock, Ronald 32, 205 Pfister, Manfred 28-30, 33, 36, 37, 41, 88, 205, 206 Pospšil, Milan 24,182 Postman, Leo 29,147 Princes Jaromir and Oldrich (Přemyslíd dynasty) 50 R Rameau, Jean-Philippe 39 Rauch, Molly 50 Rieger, František Ladislav 245,256 Robinson, Paul 148 Rossini, Gioachino 100 Rudiin, John 87, 88,90 S Sabina, Karel 179 Schimmerling, H.A. 67,139,168, 187,193,195 Schmuckler, Μ. A. 34 Settari, Olga 119
Index of Names Simrock, Fritz 180,193 Slavíková, Jitka 182,271 Sloboda, ƒ.A. 34 Smaczny, Jan 23,24,48, 58,98,99, 101,102,117, 142,147,179,181, 182,245,275 Smejkalová, Hana 288 Smetana, Bedřich 21,24,47,48,58, 101,102,120,142,179-182, 243 Štěpán, Václav 100,179 Štolba, Josef 145,156,181,182 Strauss, Richard 39,148 T Trávníčková, Markéta 100,179 ։ i 383 Tyl, Josef Kajetán 58,179 Tyrrell, John 23, 58,157,180,181, 187,245,246,275, 289 V Veselý, Josef Otakar 179,182,183, 204 W Wagner, Richard 49,101,275 Warner, Μ. Μ. 119 Weber, William 43 Welker-Hood, Kristen 50 Wenig, Adolf 271,272,287 0¿y«l!:xt֊;? S StaatsoibHothvk i |
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| id | DE-604.BV048283726 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:01:10Z |
| indexdate | 2024-07-10T09:34:08Z |
| institution | BVB |
| institution_GND | (DE-588)1065711506 |
| isbn | 9783631874783 3631874782 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033663881 |
| oclc_num | 1301274587 |
| open_access_boolean | |
| owner | DE-11 DE-12 |
| owner_facet | DE-11 DE-12 |
| physical | 383 Seiten Illustrationen, Notenbeispiele 21 cm x 14.8 cm |
| psigel | BSB_NED_20230616 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Peter Lang |
| record_format | marc |
| series | Eastern European studies in musicology |
| series2 | Eastern European studies in musicology |
| spelling | Adams, Julia R. Verfasser (DE-588)1266664394 aut Musical humor and Antonín Dvořák's comic operas Julia Adams Berlin ; Bern ; Bruxelles Peter Lang [2022] © 2022 383 Seiten Illustrationen, Notenbeispiele 21 cm x 14.8 cm txt rdacontent n rdamedia nc rdacarrier Eastern European studies in musicology volume 23 Dvořák, Antonín 1841-1904 (DE-588)11852836X gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Komische Oper (DE-588)4164762-2 gnd rswk-swf Humor (DE-588)4026170-0 gnd rswk-swf Czech orchestration comedy leitmotive libretto Dvořák, Antonín 1841-1904 (DE-588)11852836X p Komische Oper (DE-588)4164762-2 s Humor (DE-588)4026170-0 s Musikalische Analyse (DE-588)4040814-0 s b DE-604 Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-87856-9 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-87863-7 Eastern European studies in musicology volume 23 (DE-604)BV041902002 23 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=ec3bb601fa864c67aeb0002a670b27b8&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/document/1184275 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663881&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663881&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister 1\p vlb 20220225 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Adams, Julia R. Musical humor and Antonín Dvořák's comic operas Eastern European studies in musicology Dvořák, Antonín 1841-1904 (DE-588)11852836X gnd Musikalische Analyse (DE-588)4040814-0 gnd Komische Oper (DE-588)4164762-2 gnd Humor (DE-588)4026170-0 gnd |
| subject_GND | (DE-588)11852836X (DE-588)4040814-0 (DE-588)4164762-2 (DE-588)4026170-0 |
| title | Musical humor and Antonín Dvořák's comic operas |
| title_auth | Musical humor and Antonín Dvořák's comic operas |
| title_exact_search | Musical humor and Antonín Dvořák's comic operas |
| title_exact_search_txtP | Musical humor and Antonín Dvořák's comic operas |
| title_full | Musical humor and Antonín Dvořák's comic operas Julia Adams |
| title_fullStr | Musical humor and Antonín Dvořák's comic operas Julia Adams |
| title_full_unstemmed | Musical humor and Antonín Dvořák's comic operas Julia Adams |
| title_short | Musical humor and Antonín Dvořák's comic operas |
| title_sort | musical humor and antonin dvorak s comic operas |
| topic | Dvořák, Antonín 1841-1904 (DE-588)11852836X gnd Musikalische Analyse (DE-588)4040814-0 gnd Komische Oper (DE-588)4164762-2 gnd Humor (DE-588)4026170-0 gnd |
| topic_facet | Dvořák, Antonín 1841-1904 Musikalische Analyse Komische Oper Humor |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=ec3bb601fa864c67aeb0002a670b27b8&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/document/1184275 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663881&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663881&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV041902002 |
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